Gina Labianca (L) tries on a super woman outfit as Charlie Lucas tries a snow white Costume at the Halloween MegaStore Miami Beach on October 21, 2011 in Miami Beach, Florida. The megastore is a temporary location for the store which opened for the holiday to sell costumes, masks and other items to people needing to dress up for the evening of October 31 when costumed people around the world observe the day. (Photo by Joe Raedle/Getty Images)

Fighters of the Free Syrian Army fire an anti-aircraft weapon in the rebel-held Mashhad area in southeastern Aleppo, on December 12, 2016, as they battle Syrian government forces during an operation to retake the embattled city. The crucial battle for Aleppo entered its “final phase” after Syrian rebels retreated into a small pocket of their former bastion in the face of new army advances. The retreat leaves opposition fighters confined to just a handful of neighbourhoods in southeast Aleppo, the largest of them Sukkari and Mashhad. (Photo by AFP Photo/Stringer)

Military enthusiasts take part in a re-enactment of the World War II battle of Stalingrad at the “Stalin Line” memorial, near the village of Goroshki, Belarus, February 27, 2016. (Photo by Vasily Fedosenko/Reuters)

Revellers battle with tomato pulp during the annual “Tomatina” (tomato fight) festival in Bunol near Valencia, Spain, August 31, 2016. (Photo by Heino Kalis/Reuters)

Ukrainian soldiers who just came from battle stand near an ambulance at a 47th Brigade field hospital near Avdiivka, in Ukraine’s Donetsk region, on Friday, May 10, 2024. (Photo by Evgeniy Maloletka/AP Photo)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.