A mahout watches the Thai animation movie Kan Kluay with his elephant in Ayuthaya province, about 80km (49 miles) north of Bangkok June 5, 2006. The movie tells the story of a young Thai wild elephant who, while looking for his father, becomes the war elephant of the Thai King fighting against Burma and restored Thailand's ancient Ayuthaya empire that existed about 400 years ago. (Photo by Sukree Sukplang/Reuters)

Photographer Emily Dryden and sculptor/actor Zahydé Pietri combine theatricality and organic produce to compose the photographs for their series Fresh Faces. The portraits are made from a wide range of fruit and vegetables and aim to highlight humanity’s diversity – Pietri is from Puerto Rico and Dryden is from New York. Each face has its own name and identity: “We have stories for them, which you can see in the expressions”, says Dryden, “but we decided to keep them to ourselves. We didn’t want to spoil that”. (Photo by Emily Dryden and Zahydé Pietri/The Guardian)

A leather worker with his frightening types of clothes prepares after painted themselves using chimney soot as they participate in a programme within the September 6 celebrations, in Balikesir, Turkey on September 06, 2019. According to the story, “Tulutabaklar” were painting themselves with ash and wearing goatskin or sheep skin to frighten the Greek soldiers occupying Balikesir during the National Struggle period. Every year on September 6, Tulutabaklar perform this ritual as part of the celebration of liberation of the city for 96 years. (Photo by Ali Atmaca/Anadolu Agency via Getty Images)

Participants wearing superhero costumes attend the World DC Comics Super Heroes event in San Martin de Valdeiglesias, near Madrid, April 18, 2015. To celebrate the anniversary of the publication of the very first Superman story, DC Comics are asking fans to help set a new world record for the largest global gathering of people dressed as DC Comics Super Heroes. (Photo by Andrea Comas/Reuters)

Rolando Pujol Rodriguez photographed the Cuban raft exodus in 1994, and twenty years later Enrique de la Osa took portraits of some of the people who made it to the United States, in this story which combines archive and present day images. Here: People put the finishing touches to a makeshift boat on a rooftop before lowering it onto a truck and launching it into the Straits of Florida towards the U.S., on the last day of the 1994 Cuban raft exodus in Havana, in this September 13, 1994 file photo. (Photo by Rolando Pujol Rodriguez/Reuters)

Bangladesh soldiers carry a woman survivor from the rubble at the site of a building that collapsed Wednesday in Savar, near Dhaka, Bangladesh, Thursday, April 25, 2013. By Thursday, the death toll reached at least 194 people as rescuers continued to search for injured and missing, after a huge section of an eight-story building that housed several garment factories splintered into a pile of concrete. (Photo by Kevin Frayer/AP Photo)

A tour group wanders through block 7 of Eastern State Penitentiary in Philadelphia, Pennsylvania April 30, 2014. Opened in 1829, with the original corrective system of “confinement in solitude with labor”, the penitentiary housed about 75,000 inmates in its 142 years of operation. At Eastern State reunions, former inmates, staff and guard gather to share memories and trade stories and get a chance to describe their experiences in question-and-answer sessions with the public. (Photo by Mark Makela/Reuters)

Memory Suitcases is a thought-provoking series by Israeli artist Yuval Yairi that uses old, worn suitcases as canvases for nostalgic landscapes. Like scenes out of one's memory, the propped up traveling cases feature a range of sepia-toned settings. The series presents the objects as though they are relics of a civilization from yesteryear, each with their own story to tell.
There's something both heartbreaking and sentimental about the images. It appears to tell a number of stories of leaving one lifestyle for another. The suitcases hold within them a picture show of memories from a life-altering journey. Like a number of his other works, Memory Suitcases "mimics the natural process of memory."