A U.S. President Donald Trump mask is seen for sale in a market in Hong Kong, China on December 23, 2019. (Photo by Lucy Nicholson/Reuters)

A model is seen backstage before the Spring/Summer 2019 women's ready-to-wear collection show for Y-Vision X Jessie & Jane during Paris Fashion Week in Paris, France, October 1, 2018. (Photo by Stephane Mahe/Reuters)

First place, The Beauty of Plants. “There are many stages of lotus growth on display at the Aquatic Gardens, but to come across twotwisted dancing stems of nelumbo nucifera was unexpected and quite magical”. (Photo by Kathleen Furey/The Guardian)

Visitors stand next to the artwork “No, 2021” by Italian visual artist Maurizio Cattelan displayed at the gallery Gagosian during the Art Basel fair for Modern and contemporary art, in Basel, on June 17, 2025. The fair will open to the public from June 19 to June 22, 2025, featuring over 290 leading galleries and more than 4,000 artists from five continents. (Photo by Fabrice Coffrini/AFP Photo)

Members of the Scottish Chinese community take part in Edinburgh Chinese New Year Festival on January 30, 2022 in Edinburgh, Scotland. 2022 marks the Chinese Year of the Tiger, Chinese New Year in Edinburgh has become one of the largest celebrations of its kind in Scotland. (Photo by Jeff J. Mitchell/Getty Images)

“Falling Back To Earth” promises to be both spectacular and meditative, and presents a beautiful, thought-provoking vision of our relationship with the earth and with each other. (Photo by Dave Hunt/EPA)

Using body paint and a woodland like location, Gesine appears to have created a model to look just like a red panda, Dortmund, Germany, October, 2016. An artist brings animals to life using body paint and contorted models. At first glance, these images could be mistaken for portraits of wildlife in their natural habitat were created with paper and paint. However, they are actually the incredible works of illusion by talented body painter Gesine Marwedel, who paints models to creates realistic animals. (Photo by Gesine Marwedel/Barcroft Images)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)