“Nature is beautiful and amazing – i just point my camera at it”. – Black Cat. Photo: “I really need a manicure”! (Photo by Black Cat)

Hey Everybody! My name is Chris Ryniak (RYE-KNEE-ACK), and I make monsters. I split my time between sculpting and painting for gallery work, designing toys and being a Dad, but the thing I do the most is DRAW MONSTERS, like every day.

A fun notebook that I too wish I had when I was a kid. Play more more more, a finalist design at the European Design awards by Netherlands-based design studio Trapped in Suburbia, is an unique notepad aimed at encouraging “play” at work.

“I bought my first dlsr camera in 2009 may. The first part of my life is gone but the other i dedicate to photography. If i try to imagine myself, i saw someone on the road, who walking straight to the light. This kind of light is the photography and the post-processing in my life. My pictures express the feelings, moods what i felt under my trip in the last few years”. – Ildiko Neer

Photo: “Path to the shine”, 2011. (Photo by Ildiko Neer)

Hi, my name is Rodney Pike and I am a Humorous Illustrator. I have a lifetime of experience in Fine Art and Graphic Design and Digital Illustration. I offer Photo-Manipulated Illustrations of all sorts but I specialize in Photo-Manipulated Caricature Illustration, Humorous Illustration and Political Satire, perfect for magazines, books, etc. My clients include companies such as FHM Magazine, Tennis Magazine, The Village Voice Magazine, Bauer Media, Miller Publishing Group, New Coast Productions and Catchphrase Entertainment. I am a member of the ISCA and NAPP.

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

Ismail Mustafa, seen in 2007. “I was collecting mushrooms on the hill near here. I didn’t see the mine. There was a huge explosion. When I woke up I saw that both my legs were gone; I thought my life was over. My brother and another guy were with me. They made a stretcher from sticks and tied it together with clothing. It took two hours to get off the mountain. ‘My daughter has also been injured. She found a shell and brought it into the house and put it on the fire. She didn’t know what she was doing at the time – she was only three. She is blind and has lost an arm”. (Photo by Sean Sutton for the Mines Advisory Group/The Guardian)

A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)