A giant devil figure burns during the annual celebration of the “Burning of the Devil”, a festivity associated with the Feast of the Immaculate Conception that honours the city's patron saint and marks the start of the Christmas season, at Colonia Arrivillaga in Guatemala City, Guatemala on December 7, 2024. (Photo by Cristina Chiquin/Reuters)

A climate campaigner in Dublin on November 9, 2024 dresses as Lady Justice to demand that world leaders commit to a fast, fair and funded phase-out of all fossil fuels when they gather in Azerbaijan on Monday for the Cop29 climate conference. (Photo by Stedman Photography)

British actor Hugh Grant and his girlfriend Elizabeth Hurley attend the post-premiere party of Grant's latest film, “Four Weddings and a Funeral” in London, 11th May 1994. (Photo by Dave Hogan/Hulton Archive/Getty Images)

A mason bee deposits its collected pollen in an elderberry stick near Hessen, Germany on March 27, 2020. The food supply is sufficient for the eleven-month development of the brood from the egg to the finished bee. Wild bees are active in March and April and die before their offspring hatch. (Photo by Arne Dedert/dpa)

A young woman jumps into the river Rhine to cool off during high temperatures, near Kaiserstuhl, Switzerland, Sunday, June 22, 2025. (Photo by Michael Buholzer/Keystone via AP Photo)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)

The founder of the UK’s only hobby horse club, Zoe Brown, watches on as members enjoy the activity on July 14, 2025. Brown began running competitions to help her own daughter, 11, feel less shame around her pastime. (Photo by South West News Service)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)