“Joker” movie production tries to hide Joaquin Phoenix's clown make-up and green hair with umbrella and a long black cloth over his head as he was walking with the help of assistant and bodyguard to the set of “Joker” filming at a Bronx train station on September 22, 2018. (Photo by The Mega Agency)

In this photo taken with long time exposure, a woman wears a hat at Churchill Downs before the 145th running of the Kentucky Derby horse race Saturday, May 4, 2019, in Louisville, Ky. (Photo by Charlie Riedel/AP Photo)

Beautiful woman and man playing domination games in bed. (Photo by nd3000/Getty Images)

Lilly Caron, 8, of Bridgeton, Maine, Jason Homchick, of San Diego, and Lilly's father Jason Caron, (obscured), ride the Sky Swing at Seacoast Adventure, Thursday, July 14, 2016, in Wyndham, Maine. The 100-foot-tall swing gives riders the combined thrills of sky diving and hang gliding. (Photo by Robert F. Bukaty/AP Photo)

A reveller takes part in an annual block party known as “Cordao de Prata Preta”, one of the many carnival parties to take place in the neighbourhoods of Rio de Janeiro, February 6, 2016. (Photo by Pilar Olivares/Reuters)

Anastassia Elias spends hours painstakingly cutting out tiny shapes to make detailed models – and then fits them inside used toilet rolls. Elias, 37, uses paper the same color as the cardboard tubes to build up the intricate scenes from wildlife to construction sites. Photo: Toilet paper roll art of African wildlife. (Photo by Anastassia Elias/Caters News)

David Hall’s photographs of scenery and creatures off the coast of Canada in the Pacific Northwest portray serenity under the water, which belie the extreme challenges he faces to get his images. For each shoot, Hall wears a dry suit, a neoprene body suit that covers all of his body but his head and traps air inside to keep him warm. Water temperature in Canada’s British Columbia typically ranges between 45 and 50 degrees Fahrenheit. Photo: Moon jellyfish and cross jellies. (Photo by David Hall)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)