Vocalist Laila Skovmand, a musician with Danish company Between Music, plays underwater in a tank during a rehearsal ahead of their UK premiere concert Aquasonic at the Tramway in Glasgow on Ocrober 25, 2017. (Photo by Robert Perry/PA Images)

Gremio fans celebrate after their team won the Copa Libertadores final match at the Arena do Gremio in Porto Alegre, Brazil on November 29, 2017. (Photo by Diego Vara/Reuters)

A boy shoots a World War II machine gun armed with blanks at an weapon exhibition during a military show near Kirovsk, about 30 kilometers (19 miles) east of St. Petersburg, Russia, Sunday, January 21, 2018. (Photo by Dmitri Lovetsky/AP Photo)

Chantal Marshall, mum of Britain's most cosmetically enhanced family, pushes 14-year-old daughter Britney Marshall to have boob job. But perhaps that is no surprise as Britney is the youngest daughter in Britain's most cosmetically enhanced family. (Photo by Barcroft Media)

“Tasty Nature” by Dipesh Bhatt. “The blue banded bee (Amegilla cingulata) is pointing this sheath towards the flowers in preparation for sipping nectar”. Taken in Gujarat, India. (Photo by Dipesh Bhatt/2016 Royal Society of Biology Photographer of the Year competition)

A vegetarian festival devotee gets medical attention after a parade at Jui Tui shrine on September 30, 2014 in Phuket, Thailand. (Photo by Borja Sanchez-Trillo/Getty Images)

Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)