Girls hold hands as they help each other wade through a flooded street after the passing of Hurricane Matthew in Les Cayes, Haiti, Thursday, October 6, 2016. Two days after the storm rampaged across the country's remote southwestern peninsula, authorities and aid workers still lack a clear picture of what they fear is the country's biggest disaster in years. (Photo by Dieu Nalio Chery/AP Photo)

A man carries a woman across a river at Petit Goave where a bridge collapsed during the rains of the Hurricane Matthew, southwest of Port-au-Prince, October 5, 2016. (Photo by Hector Retamal/AFP Photo)

Young Ian Archibald ponders the consequences of a complex critical study of beauty contestants during the Miss TV Times finals in London. (Photo by Central Press/Getty Images). 30 July 1971

Artist Matthew Albanese creates amazing miniature landscapes made from sugar, chocolate and even bits of ostrich in his living room. All the models were painstakingly recreated in his living room, which he uses as his studio. Each gruelling piece can take up to as many as 700 hours to complete. Photo: A stormy version of “New Life 2” created by Matthew Albanese. (Photo by Matthew Albanese/Barcroft Media)

A child watching the sea while residents try to clear the bed of a river that has been blocked by debris left by Hurricane Matthew, in the commune of Roche-a-Bateaux, in the south west of Haiti, on October 21, 2016. At least 546 people were killed and more than 175,000 people lost their homes when Hurricane Matthew roared ashore on October 4, packing winds of 145 miles (230 kilometers) per hour. (Photo by Hector Retamal/AFP Photo)

Jury member Nicole Kidman attends the Jury Press Conference. (Photo by Vittorio Zunino Celotto/Getty Images)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)