The classical ballet company “Ardentia” performs in the street of Mexico City on traffic lights, in an effort to highlight the city's fine arts in public spaces in Mexico, September 8, 2018. (Photo by Carlos Jasso/Reuters)

Pro-government fighters stand next to a tank destroyed during recent fighting in Yemen's southwestern city of Taiz March 14, 2016. (Photo by Anees Mahyoub/Reuters)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)

“Lombard Street is an east-west street in San Francisco, California. Lombard Street is best known for the one-way section on Russian Hill between Hyde and Leavenworth Streets, in which the roadway has eight sharp turns (or switchbacks) that have earned the street the distinction of being the crookedest street in the world”. – Wikipedia

Photo: A single car drives down a typically crowded Lombard Street, San Francisco's crooked street, April 29, 2003 in San Francisco. (Photo by Justin Sullivan/Getty Images)

Baldwin Street, in Dunedin, New Zealand, is considered the world's steepest residential street. It is located in the residential suburb of North East Valley, 3.5 kilometres (2.2 mi) northeast of Dunedin's city centre.

A retrospective of Garry Winogrand's photography is on display at the Metropolitan Museum of Art in New York. It is the first in 25 years of his work. The show was organized by the San Francisco Museum of Art, and the National Gallery in Washington, DC. Photo: New York, 1965. (Photo by Garry Winogrand/The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco)

“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.