Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)

Flowers are placed on a “comfort woman” statue during the weekly Wednesday protest in front of Japanese embassy demanding for an apology and compensation from Japanese government in Seoul, South Korea, July 22, 2015. “Comfort women” is the Japanese euphemism for women who were forced into prostitution and sexually abused at Japanese military brothels before and during World War Two. (Photo by Kim Kyung-Hoon/Reuters)

In this composite image (L-R top row) Dok Haze, Douglas Child as Camp Dracula, Mongolian Laughing Boy, Tony Walls, Asia Sawika as Anastasia, (L-R bottom row) zombie bass guitar player Ozzy Jackson, sword swallower Hannibal Hellmurto, pickled person, Zoe Olivia Ellis and The Sinister Sisters, Steph Bates (L) and Steph Randall (R) pose for a photograph prior to a rehearsal of the Circus of Horrors' latest show The Night of the Zombie at the Wookey Hole Caves Theatre near Wells on October 23, 2014 in Somerset, England. (Photo by Matt Cardy/Getty Images)

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In this photo taken on Thursday, July 23, 2015 migrants enter a train to Serbia at the railway station in the southern Macedonian town of Gevgelija. The country has become a major transit route for thousands of Middle Eastern and African refugees and migrants who cross over from Greece and then continue into Serbia. (Photo by Boris Grdanoski/AP Photo)

A British Museum representative poses for photographs next to Andy Warhol's “Mao”, left, and Jim Dine's “Drag: Johnson and Mao” which feature in “The American Dream: pop to the present” exhibition during a media photocall at the British Museum in London, Monday, March 6, 2017. The exhibition, which opens to the public from March 9 and runs until June 18, charts modern and contemporary print making. (Photo by Matt Dunham/AP Photo)

At the beginning of the 20th century, Edward S. Curtis set out to document what he saw as a disappearing race: the Native American. From 1907 to 1930, Curtis took more than 2,000 photos of 80 tribes stretching from the Great Plains to the Pacific Northwest and Alaska. He then published and sold these photos, along with narrative text, in 20 volumes of work known as “The North American Indian”. It is one of the most significant collections of its kind, “probably the most important photographic document of its age and its topic,” said Jeffrey Garrett, associate university librarian for Special Libraries at Northwestern University. (Photo by Edward S. Curtis)