Wrestlers participate during the traditional Sindhi Malakhra wrestling in Larkana, Pakistan, 30 January 2021. A Malakhra match begins with both wrestlers tying a twisted cloth around the opponent's waist. Each one then holds onto the opponent's waistcloth and tries to throw him to the ground. (Photo by Waqar Hussein/EPA/EFE)

Kaci Nuyen 8, holds a “Kiddizoom Twist” camera during a Hamleys Christmas toy photocall at Hamleys Toy store on June 28, 2011 in London, England. The famous toy store unveiled today their “must have” toys for Christmas 2011. (Photo by Dan Kitwood/Getty Images)

An aerial drone photo shows a view of the Wujiangzhai scenic spot in Zunyi, southwest China's Guizhou Province, March 14, 2024. The Wujiangzhai scenic spot, with its natural landscape and local folk customs, offers a blend of sightseeing, leisure activities and exhibitions, making it a popular destination for tourists. (Photo by Xinhua News Agency/Rex Features/Shutterstock)

Paul Bond's art lives in the spaces between dreaming and reality. Drawing from the Latin American genre of Magic Realism where symbolic, surreal and fantastic elements blend with realistic atmospheres, they remove the veil on a world where everything is possible.

A 2014 Soccer Calendar, inspired by the World Cup, and commissioned by a beer company (we can't provide client info) featuring women doing the 12 most famous moves in soccer.
Tim Tadder traveled around Brazil shooting the backgrounds and collaborated with the talented Mike Campau to blend the scenes together to create a truely unique set of images.

Photographer Stephen Wilkes spent a minimum of ten hours taking hundreds of shots to create each one of his Day to Night. Weaving and blending thirty to fifty parts, the photo-collagist extraordinaire created seamless, surrealist scenes of New York City life.

“Mr Big Dipper”, Nicholas Roemmelt (Denmark). A stargazer observes the constellation of the Big Dipper perfectly aligned with the window of the entrance to a large glacier cave in Engadin, Switzerland. This is a panorama of two pictures, and each is a stack of another two pictures: one for the stars and another one for the foreground, but with no composing or time blending. (Photo by Nicholas Roemmelt/National Maritime Museum/The Guardian)