A police officer carries a woman who fainted while gathering to try to buy pasta outside a supermarket in Caracas, Venezuela, June 10, 2016. (Photo by Carlos Garcia Rawlins/Reuters)

Members of the Oath Keepers and general public return fire during a simulated attack as they take part in a tactical training session in northern Idaho, U.S. October 1, 2016. In April 2015 Reuters photographer Jim Urquhart was assigned to cover the Oath Keepers during a tour of the Sugar Pine gold mine in Oregon after the group of former cops, military, firefighters and other first responders had risen to prominence during a standoff in Nevada over land rights. (Photo by Jim Urquhart/Reuters)

Artist and photographer Carl Warner began his career in landscape and still photography, working many years in the advertising industry. Seeking new inspiration and direction one day, he happened upon a market with Portobello mushrooms that reminded him of trees from an alien world. This would become his first foodscape and the start of a new and exciting direction in his career.

A Filipino mother Nikki Garcia combined her love for arts and crafts with the Japanese tradition of bento boxes to combat her children’s eating habits.

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

“These creepy pictures of abandoned asylums, prisons and schools give a sense of what life was like in institutions of 20th century America. Photographer Daniel Barter, 30, captured on film bowling alleys, theatres and hairdressing salons all completely intact. The Londoner was on travelling through Americas north eastern states when he had the chance to explore the derelict public buildings left untouched since their last inhabitants shut the doors”. – Caters News. Photo: Salon equipment inside a sanatorium in New York. (Photo by Daniel Barter/Caters News)

Daniel J. Wabsey, a 58-year-old war veteran, sits outside his tent at Camp Hope in Las Cruces, New Mexico October 6, 2015. “I've been traveling for 35 or 38 years. Getting inside would take a while to get used to. I just want to be able to eat, sleep and be safe. We all get along and understand in Camp Hope. We've all been there. With common sense you can survive out here”, Wabsey said. Camp Hope describe themselves as an “alternative transitional living project for the homeless”. Around 50 people live at the camp. (Photo by Shannon Stapleton/Reuters)

Artist Victor Nunes combines every-day objects with simple illustrations to turn them into pictures of faces, animals and other playful scenes. His images invite us to look at the world differently and find creative images in our surroundings. Nunes’ art is a great example of pareidolia, which is our propensity to give meaning to random objects (like in this post about seeing faces in random objects). It’s the reason why we associate a smiley face with a human face and why some of Nunes’ pieces of popcorn or bread resemble faces to us.