A man plays to the cameras as racegoers make their way home at the end of Ladies Day the second day of the Aintree Grand National Festival meeting on April 8, 2016 in Aintree, England. Today is Fabulous Friday and Ladies Day of the three-day meeting of the world famous Grand National Festival where fashion and dressing to impress is as important as the racing. (Photo by Christopher Furlong/Getty Images)

Race goers are pictured during the Investec Ladies Day at Epsom Downs Racecourse on June 2, 2017 in Epsom, England. (Photo by News Group Newspapers Ltd)

Kaylee Cantler, 15, of Waynesboro, Pa., applies blush during a natural makeup exercise at a modeling camp at the Courtyard Marriott Hotel in McLean, Va., on Monday, August 17th, 2015. (Photo by Brittany Greeson/The Washington Post)

Adriana Barahona, known as "Madame Barocle", wearing clothing of the Victorian era, walks along a central avenue in San Jose, Costa Rica June 4, 2015. Barahona says she has been passionate about clothing from the era of Britain's Queen Victoria (1837-1901), and has been making and wearing them since the age of 15. REUTERS/Juan Carlos Ulate

These pictures, made by Joel Strong, look as if a giant hand is pinching the head of a poor Leo. Leo, however, is oblivious to this fact and continues on with his life, taking on a role of everyone from an old granny to a young lady. Thanks to Joel’s skill and sense of humor, the cut out heads of Leonardo DiCaprio, taken from 90s magazines, fit perfectly into the new scenes. If seeing young Leo with a body of an old granny or a fat, half-naked guy in the park doesn’t strike you as funny, we don’t know what will. (Photo by Joel Strong)

The National parks department hosts the 30th annual “All-Women Lifeguard Tournament” in Sandy Hook NJ. July 30, 2014. (Photo by Anthony Causi)

A pilgrim walks on her knees to fulfil her vows, as pilgrims attend the 99th anniversary of the appearance of the Virgin Mary to three shepherd children, at the Catholic shrine of Fatima, Portugal May 12, 2016. (Photo by Rafael Marchante/Reuters)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.