Workers lay railway track in a tunnel of the Crossrail project in Stepney, east London, Britain, November 16, 2016. Crossrail, which is Europe's largest construction project, is a railway link which will connect outlying areas to the east and west of London with tunnels under the centre of the capital. (Photo by Stefan Wermuth/Reuters)

The Tree Projects team spent 67 days documenting one eucalyptus regnans in the Styx valley of Tasmania. Using a combination of tree-climbing and elaborate arboreal rigging techniques, they produced an intimate portrait from an impossible perspective of one of the world’s largest individual flowering trees, which goes by several common names. These photos document the process that resulted in an extraordinary ultra high-definition photograph. Here: Haley nears the top of the tree. (Photo by Steven Pearce/The Tree Projects/The Guardian)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

This undated image provided by World View shows World View capsule and balloon spacecraft that will rise to 100,000 feet above Earth for passengers to see the curvature of the planet and the blackness of space. Space tourism companies are employing designs including winged vehicles, vertical rockets with capsules and high-altitude balloons. While developers envision ultimately taking people to orbiting habitats, the moon or beyond, the immediate future involves short flights into or near the lowest reaches of space without going into orbit. (Photo by World View via AP Photo)

This barking set of images takes the saying “dogs look like their owners” to the ultimate conclusion. Photographer Sebastian Magnani, 28, has cleverly spliced the features of four-legged friends with the head and shoulders of their owners. In a series called “Underdogs”, the Swiss photographer shot the owners and their respective pets in the same portrait style. Then he used expert photo-manipulation techniques to seamlessly transplant the canine faces onto the human bodies. (Photo by Sebastian Magnani)

Alexander Nerozya and Ilya Mihaylov make the dream of many “Street Fighter” fans come true and bring the characters of the classic video game into reality. Specifically for this purpose they found a few body-builders to express the epic struggle between Ken and Ryu and other famous characters including beautiful Chun Li. While Nerozya took care of the raw image Mihaylov used his post-production skills to portray finishing touches.

These illustrations are the work of an artist who has put a sinister spin on iconic animations in order to highlight the disturbing realities of domestic abuse. No Violence Against Women is a project by Italian artist and activist AleXsandro Palombo, 40, who is based in Milan. It forces its audience to confront the plight some women go through under the pretence of a happy relationship or family. (Photo by aleXsandro Palombo)

Dan surrounded by seven days of her own rubbish in Pasadena, California. If you've never thought about how much rubbish you throw away an honest photographic series will open your eyes. Men, women, couples and families with young children have been photographed lying on their backs surrounded by a week's worth of their own rubbish – from old cartons of milk, used nappies and even tampons. The startling series “Seven Days of Garbage” by Californian photographer Gregg Segal is an unforgettable reminder of the amount of waste a human collects in just seven days. (Photo by Gregg Segal/Barcroft Media)