To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.

This artwork created using the end of a drill is the work of Swiss photographer Fabian Oefner who captures the flight of paint in just one 40,000th of a second. His latest Black Hole series celebrates the physics of centripetal force and the effects it has on simple paint and a an ordinary drill with a metal rod connected on the end. The incredible result of Fabians work comes out looking like a picture taken on the Hubble Telescope of some cosmic event. (Photo by Fabian Oefner/Caters News)

“Residents in a small town littered with giant potholes may be ready to “crack” the art world – after turning their massively damaged roads into hilarious masterpieces. Fun-natured drivers from Scranton, Pennsylvania have been challenged by an arts group to turn the ugly craters in their neighborhood into pothole art”. – Caters News. Photo: Cereal bowl pothole. (Photo by Caters News)

Presentation of The work of Italian artists Antonio Garullo and Mario Ottocento, called “The Italian Dream” showing a wax figurine of Italy's former prime minister Silvio Berlusconi as being dead or asleep inside a glass shrine, is exhibited on May 29, 2012 at the Ferrajoli Palace in the center of Rome, Italy. In this controversial work Berlusconi is smiling, wearing funny slippers and the trousers open. (Photo by Alessandro Bianchi/Reuters)

An artwork entitled “Are you still mad at me?” by John Isaacs is displayed at the Death: A Self-portrait exhibition at the Wellcome Collection on November 14, 2012 in London, England. The exhibition showcases 300 works from a unique collection by Richard Harris, a former antique print dealer from Chicago, devoted to the iconography of death. The display highlights art works, historical artifacts, anatomical illustrations and ephemera from around the world and opens on November 15, 2012 until February 24, 2013. (Photo by Peter Macdiarmid)

A gallery assistant at the Saatchi Gallery admires a sculpture by artist Dirk Skreber entitled “Untitled (Crash 1)” on May 26, 2011 in London, England. The sculpture features in the Saatchi Gallery's exhibition, “The Shape of Things to Come: New Sculpture” which showcases work from 20 international artists. (Photo by Oli Scarff/Getty Images)

Artist Richard Neave admires the sculpture “Sprinting” that he created with Denise Smith on March 12, 2012 in London, England. The model shows the body of elite athlete, Richard Whitehead, and forms the centre piece at the Anatomy Of An Athlete Exhibition opening at the Hunterian Museum. (Photo by Bethany Clarke/Getty Images)

Members of Brazil's Movimento dos Sem-Teto (Roofless Movement) stand in the hallway of one of the 11 empty buildings that the movement took over recently, in the centre of Sao Paulo, November 6, 2012. According to City Hall, there are some 400,000 people in need of stable housing, including the 4,000 families of the Roofless Movement who are squatting in abandoned or vacant buildings that range from apartment blocks to hotels, in Sao Paulo, the largest city in South America. (Photo by Nacho Doce/Reuters)