Relatives wearing personal protective equipment (PPE) mourn a man, who died from the coronavirus disease (COVID-19), during his funeral at a crematorium in New Delhi, India on April 21, 2021. (Photo by Adnan Abidi/Reuters)

Members of Nepal Army wearing personal protective equipment (PPE) carry the body of a person, who died from the coronavirus disease (COVID-19), in the rain at the crematorium, in Kathmandu, Nepal on May 11, 2021. (Photo by Navesh Chitrakar/Reuters)

The Hindus of Nusa Penida, Bali, Indonesia, carry out their annual Ngaben cremation on April 4, 2022, when they place the bones of those who have died over the past year on to floating animal forms in a ceremony that is said to release the souls of the deceased. (Photo by Gede Sudika/Solent News/Rex Features/Shutterstock)

A model presents a creation from fashion label Maison Lejaby during the Festival of Young Fashion Designers, an event held in tribute to Azzedine Alaia, a Franco-Tunisian fashion designer who died in November 2017; in Tunis, Tunisia, 04 May 2018. (Photo by Mohamed Messara/EPA/EFE)

Italian movie star Gina Lollobrigida shows a 0.95 super-grand-angle lens mount on a 35mm camera, as she presents her collection of photographic equipment at her home on the ancient Appian Way on the outskirts of Rome, July 2, 1964. (Photo by Girolamo di Majo/AP Photo)

Cathryn Shrimpton, 4, prepares to play the Angle Gabriel during a traditional Christmas Nativity on December 18, 2011, at St Mary's Church, Myton Village, England. In schools and churches around the country children busy preparing and performing in the telling of the traditional nativity story. (Photo by Bethany Clarke/Getty Images)

Pоrn actresses take a break at the Venus erotic fair in Berlin, Germany, October 15, 2015. The event, which represents the erotic business in the German capital, is open till October 18, 2015. (Photo by Fabrizio Bensch/Reuters)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.