A Palestinian boy reacts to a sheep at a livestock market ahead of the Eid al-Adha (feast of sacrifice) in Hebron in the occupied West Bank on July 16, 2021. Known as the “big” festival, Eid Al-Adha is celebrated each year by Muslims sacrificing various animals according to religious traditions. (Photo by Mosab Shawer/AFP Photo)

Faithful wearing face mask pray during the Arafah prayer ceremony ahead of Eid al-Adha, at the Tehran university’s mosque in Tehran, Iran, 30 July 2020. Iran will not hold the Eid al-Adha prayers and ceremonies over the coronavirus (COVID-19) crisis in the country. (Photo by Abedin Taherkenareh/EPA/EFE)

A classmate of Palestinian student Lian Al Shaer, 10, who was killed in recent Israel-Gaza fighting, reacts to Al Shaer's picture as a new school year begins, in Khan Younis in the southern Gaza Strip on August 29, 2022. (Photo by Ibraheem Abu Mustafa/Reuters)

A young Iraqi shepherdess cools down buffaloes in wastewater filling the dried-up Diyala river which was a tributary of the Tigris, in the Al-Fadiliyah district east of Baghdad, on June 26, 2022. (Photo by Ahmad Al-Rubaye/AFP Photo)

Tajammu Al-Ezza brigade fighters react while firing a Grad shell towards forces of Syria's President Bashar Al-Assad stationed in Salhab village, Hama countryside, May 7, 2015. (Photo by Mohamad Bayoush/Reuters)

A man carries an injured girl after what activists said were five air strikes by forces loyal to Syria's President Bashar al-Assad in Douma, eastern al-Ghouta, near Damascus September 11, 2014. (Photo by Bassam Khabieh/Reuters)

A child stands next to sacrificial camels at the camel market ahead of the Muslim festival of Eid al-Adha in the Birqash district, Giza, Egypt, 30 May 2025. Eid al-Adha is one of the holiest Muslim holidays, marking the annual Hajj pilgrimage to Mecca. (Photo by Mohamed Hossam/EPA/EFE)

A bodypainter uses UV paint to create electrifying masterpieces of stunning landscapes on models. John Poppletons vibrant Bodyscapes feature bright savannahs, lightning storms and vivid galaxies leaping from the bodies of his subjects. The artist, who lives in Wellsville in Utah, USA, uses a black light on his paintings to make them look as close to real life as possible. He predominantly uses female models and often paints across their backs to give him the largest surface area to work with. Here: “Bamboo Mist”. (Photo by John Poppleton/Caters News)