Shakar Rustami (L) and Zulaikha Amini, organizers of the“'Smart Way” book and painting exhibition stand in front of painting in Kabul, Afghanistan, 21 August 2023. Young female artists in Kabul held a painting exhibition to express the restrictions imposed by the Taliban on women and girls. The exhibition also featured books displayed by students to promote reading culture. Some of the girls called for the Taliban to lift the restrictions against women and girls. Many female students turned to painting and drawing after schools and universities closed. (Photo by Samiullah Popal/EPA/EFE)

Freya Smith aged three, leads one of Erth’s giant dinosaur puppets across the road on August 6, 2019 in Edinburgh, Scotland. Australian theatre company Erth presents their best-selling show Dinosaur’s Zoo as part of Underbelly’s Fringe programme. Featuring giant dinosaur puppets which walk, roar and blink like the real thing, Dinosaur’s Zoo is a perfect example of edutainment for children of all ages, taking place at the McEwan Hall every day of the Fringe at 11am. (Photo by Jeff J. Mitchell/Getty Images)

A sticker is seen at the Rocky Mountain Guns and Ammo store in Parker, Colorado July 24, 2012. The killing of 12 people at a midnight screening of the new Batman movie in the Denver suburb of Aurora may spark a fresh round of soul-searching on America's relationship with guns but few predict any real change in the law. (Photo by Shannon Stapleton/Reuters)

Japanese chorus girls appear to be drilling in military tactics atop their theater building as they perform salutes, June 30, 1937. The officer is from the Japanese regular army and says the girls display more rhythm in their drills than do the regular troops. (Photo by AP Photo)

Lucy the Elephant is a six-story elephant-shaped example of novelty architecture, constructed of wood and tin sheeting in 1881 by James V. Lafferty in Margate City, Atlantic County, New Jersey, United States, two miles (3.2 km) south of Atlantic City, in an effort to sell real estate and attract tourists.

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)