Boys contort their faces as they participate in a game where they need to slide a coin from their forehead to their mouth to win, during the annual Feast Day of St. Rita of Cascia in Manila, Philippines on May 19, 2019. (Photo by Noel Celis/AFP Photo)

Patrick Fellows #21, Allan McShane #26, Carson Edwardson #8 and Shaun Bily #23 of the Erie Otters sit on the bench during the first period of an OHL game against the Niagara IceDogs at the Meridian Centre on October 6, 2016 in St Catharines, Ontario, Canada. (Photo by Vaughn Ridley/Getty Images)

Revelers of the “Societe des Champs Elysee” launch fireworks before boarding the Rampart-St. Claude street car line, which just opened last fall, to commemorate the official start of Mardi Gras season, in New Orleans, Friday, January 6, 2017. (Photo by Gerald Herbert/AP Photo)

The sun rises this morning behind the 173ft spire of St Mary's church in the market town of Whittlesey in Cambridgeshire, UK on February 17, 2024. The church dates from the 13th century with the Ashlar faced tower added in the 15th century. (Photo by Andrew McCaren/London News Pictures)

Ryann O'Toole after finishing her round on the 18th during day four of the Trust Golf Women's Scottish Open at Dumbarnie Links, St Andrews on Sunday, August 15, 2021. (Photo by Malcolm MacKenzie/PA Wire Press Association)

A cheerleaders team member wearing a pseudo anti-coronavirus face mask performs during the St. Petersburg Open ATP tennis tournament match in St.Petersburg, Russia, Wednesday, October 27, 2021. (Photo by Dmitry Lovetsky/AP Photo)

A protester raises her fist at the entrance of Highway 280 and S. 4th St. as people protest the killing of George Floyd in Minneapolis in downtown San Jose, Calif., on Friday, May 29, 2020. (Photo by Nhat V. Meyer/Bay Area News Group)

Figures from Antony Gormley's “Field For The British Isles” adorns an exhibition space in St Helen's College in the town of it's creation 15 years ago, June 23, 2008, St Helens, England. The installation of over 40,000 clay figures has returned to the place where it was made by local people from local clay. Artist Antony Gormley describes his creation as “25 tons of clay energised by fire, sensitised by touch and made conscious by being given eyes ... a field of gazes which looks at the observer making him or her its subject”. (Photo by Christopher Furlong/Getty Images)