In this photograph taken on April 28, 2018, Afghan children work at a coal yard on the outskirts of Jalalabad, Afghanistan. (Photo by Noorullah Shirzada/AFP Photo)

A sand carver works on a sculpture during the Sand Sculpture Festival “Dreams” in Ostend, Belgium on June 18, 2019. (Photo by Yves Herman/Reuters)

Labourers walk near trucks loaded with logs, which are trapped on a muddy road, near an unreserved forest in the village of Igbatoro, southwest Nigeria, August 28, 2014. Wood, a form of biomass, is the sole source of energy for hundreds of millions of Africans who lack access to modern sources of power, and logging, both legal and illegal, remains a lucrative business that has contributed to the rapid shrinking of Africa's rainforests and woodlands. (Photo by Akintunde Akinleye/Reuters)

In this photo taken on Saturday, April 29, 2017, a candle is lit in a roadside shrine as the sun sets across a nearby lake of Pineia in the village of Souli, in the Peloponnese region of southern Greece. Made of iron sheeting, stone, wood, concrete or marble, tens of thousands of such shrines punctuate Greece’s roadside scenery, a common sight in a country that has one of the European Union’s worst road fatality rates. (Photo by Petros Giannakouris/AP Photo)

The People of Mah Meri tribe at home at Pulau Carey village on December 03, 2016 in Selangor, Malaysia. The Mah Meri people are one 18 tribes of Orang Asal (indigenous people) living in west Malaysia. The Mah Meri are know for thei wood carvings and also for the richness of their songs and dances. (Photo by Yuli Seperi/Sijori Images/Barcroft India)

“The series of photos called Workwears, by French photographer Bruno Fert, visually juxtaposes people’s private lives with their lives at work. A firefighter, a fisherman, a nurse, a diver, a judge. One by one, Fert’s photos show people in their homes wearing everyday clothing – followed by another photo showing them dressed in the clothing of their chosen professions. Our reaction, Fert said, reminds us how tightly humans hold on to certain stereotypes about some professions. “I like to break those stereotypes”, he said”. – Thom Patterson via CNN. Here: Lola is seen at left in everyday clothes – and then at right in her work clothes. She works as a clown in Paris. (Photo by Bruno Fert/Picturetank)

Floralis Genérica is a sculpture made of steel and aluminum located in Plaza de las Naciones Unidas, Avenida Figueroa Alcorta, Buenos Aires, a gift to the city by the Argentine architect Eduardo Catalano. Catalano once said that the flower "is a synthesis of all the flowers and is both a hope that is reborn every day to open." It was created in 2002. The sculpture moves closing its petals in the evening and opening them in the morning, although this mechanism is currently disabled. The sculpture is located in the center of a park of four acres of wooded boundaries, surrounded by paths that get closer and provide different perspectives of the monument, and placed above a reflecting pool, which apart from fulfilling its aesthetic function, protects it. It represents a large flower made of stainless steel with aluminum skeleton and reinforced concrete, which looks at the sky, extending to it its six petals. Weighs eighteen tons and is 23 meters high.

Originally hailing from a small town in Iowa, Adonna Khare was this year’s recipient of the Art Prize 2012 for her amazingly detailed large-scale pencil on paper works. All of Khare’s work evolve naturally without much pre-planning, essentially building her pieces as she continues to work.