Rays of the misty sunrise swathe Christ Church in the village of Brockham in Surrey, UK on September 29, 2025. Colder temperatures are expected in the early part of the day with mist and fog clearing later in the south. (Photo by Peter Macdiarmid/The Times)

Free for Editorial Use Ballerinas from The Royal Ballet School perform on December 2, 2025 under Covent Garden's first festive snowfall to launch the destination's daily December snow flurries. (Photo by Paul Grover/Covent Garden)

Giraffes at sunrise at the Loisaba Conservancy in Laikipia, Kenya in the first decade of December 2025. (Photo by Andrew Mason/Solent News & Photo Agency)

Katarina Stefanović is a passionate landscape photographer based in Belgrade, Serbia.

America in the 1970s: Texas. Motorcyclist loading his possessions onto a truck with the help of his friends in Leakey, May 1973. (Photo by Marc St. Gil/NARA via The Atlantic)

Untitled. (Photo by Artem Nadyozhin)


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Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)