A worker fills a public bus with diesel as the bus driver and passengers look on, at a fuel station in Kolkata, India, February 1, 2017. (Photo by Rupak De Chowdhuri/Reuters)

One hundred artists were given an opportunity to uniquely redesign 100 phone booths in São Paulo. The result is beyond all expectations. One hundred completely useless or just vandalized booths were transformed into incredible works of art.

Work: Live Connected
Artist: Juarez Fagundes
Address: Avenida Paulista, Parque Trianon – opposite the park

A man washes his horse as a woman bathes her son at concrete water pens under a flyover in a slum area in Kolkata, India October 21, 2016. (Photo by Rupak De Chowdhuri/Reuters)

A child stands inside a large soap bubble made by a street artist at the Mayor square in central Madrid, Friday, December 9, 2016. (Photo by Francisco Seco/AP Photo)

A man makes traditional candy “Matang” in preparation for the upcoming Chinese Lunar New Year in Yuqing County, Zunyi, Guizhou Province, China, January 18, 2016. (Photo by Reuters/China Daily)

A Muslim man carries holy incensed smoke through a pedestrian subway in Mumbai, India, May 13, 2016. (Photo by Danish Siddiqui/Reuters)

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)

From the rocks of Arnhem Land to the backyards of the Sydney suburbs, from stretching by the pool to waiting for evening prayer, snapshots for the 2015 Australian Life prize demonstrated a nation in colour and motion. Here: Children Cooling Off at Dhiari Homeland. Local children get wet and cool in Arnhem Land. (Photo by Matthew Abbott/Australian Life Prize 2015)