In this Saturday, July 14, 2018, file photo, waves caused by high tide envelops a man standing outside his house near the Arabian Sea in Mumbai, India. The man was washed away by the wave and rescued by locals about 100 meters away from the spot. (Photo by Rajanish Kakade/AP Photo)

A man carries a sheep after it was rescued from mud in Sanliurfa, Turkey on January 9, 2019. Total of 67 sheep and a donkey rescued from mud by gendarmerie forces, firefighters and local people in Sanliurfa's Bozova district. (Photo by Halil Fidan/Anadolu Agency/Getty Images)

The reflection of a man dressed as Hindu deity of death Yamaraj (R) to raise awareness about the coronavirus is seen on the wing mirror of a vintage car during a government-imposed nationwide lockdown as a preventive measure against the COVID-19 coronavirus, in Kolkata on April 24, 2020. (Photo by Dibyangshu Sarkar/AFP Photo)

A police officer holds a pistol during clashes with protesters near a burning tyre barricade in the Kariobangi slum of Nairobi, Kenya Friday, May 8, 2020. Hundreds of protesters blocked one of the capital's major highways with burning tires to protest government demolitions of the homes of more than 7,000 people and the closure of a major food market, causing many to sleep out in the rain and cold because of restrictions on movement due to the coronavirus. (Photo by Brian Inganga/AP Photo)

Social distancing signs are pictured as models wear protective face masks before the show of designer Andres Sarda during the Mercedes Benz Fashion Week amid the coronavirus disease (COVID-19) outbreak in Madrid, Spain, September 10, 2020. (Photo by Sergio Perez/Reuters)

A partially frozen Niagara Falls is seen on the American side lit by lights during sub freezing temperatures in Niagara Falls, Ontario March 3, 2014. (Photo by Mark Blinch/Reuters)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)