A girl carries utensils after filling them with water from a pipe that supplies water to trains at a railway station on the outskirts of Agartala, India, February 28, 2017. (Photo by Jayanta Dey/Reuters)

Commuters wearing face masks jostle for a ride on a bus discarding social distancing guidelines in Kolkata, India, Tuesday, July 21, 2020. With a surge in coronavirus cases in the past few weeks, state governments in India have been ordering focused lockdowns in high-risk areas to slow down the spread of infections. (Photo by Bikas Das/AP Photo)

Men dressed as Hindu deities from the epic Ramayan wear face masks before going on a public awareness campaign against the spread of the Covid-19 coronavirus, on the occasion of the Hindu festival “Ram Navami”, in Bangalore on April 21, 2021. (Photo by Manjunath Kiran/AFP Photo)

An Indonesian vendor fixes a headscarf on a mannequin at a market in Jakarta in this December 21, 2006 file photo. (Photo by Reuters/Beawiharta)

A diver wearing a Santa Claus costume feeds a sunfish to attract visitors at the Hakkeijima Sea Paradise aquarium in Yokohama, suburban Tokyo on December 17, 2014. Christmas attractions will be held till Christmas Day. (Photo by Yoshikazu Tsuno/AFP Photo)

Majesty Davis, 3, cries while visiting Santa Claus, who sits behind a plexiglass divider due to the coronavirus disease (COVID-19) pandemic, at the Willow Grove Park Mall in Willow Grove, Pennsylvania, U.S. November 14, 2020. (Photo by Mark Makela/Reuters)

A combination photo shows some of the colourful doors seen in Rabat's Medina and Kasbah of the Udayas, September 2014. UNESCO made Rabat a World Heritage Site two years ago and media and tour operators call it a “must-see destination”. But it seems the tourist hordes have yet to find out. While visitors are getting squeezed through the better-known sites of Marrakesh and Fez, the old part of Rabat - with its beautiful Medina and Kasbah of the Udayas - remains an almost unspoiled oasis of calm. Smaller and more compact, its labyrinths of streets, passages and dead ends are a treasure trove of shapes and colours, of moments begging to be caught by the photographer's lens. (Photo by Damir Sagolj/Reuters)

A Palestinian girl with her body painted by special effects makeup artist Alaa Abu Mustafa, 20, sits on a boat in the southern Gaza Strip, March 22, 2018. (Photo by Ibraheem Abu Mustafa/Reuters)