A zookeeper counts penguins through an observation window during the annual stocktake at ZSL London Zoo in central London on January 3, 2023. (Photo by Justin Tallis/AFP Photo)

A Thai villager runs with a bullock during a catching a bullock competition as part of the annual bullock cart racing festival in Phetchaburi province, Thailand, 21 February 2016. The annual bullock cart race festival held to celebrate the end of the harvest season. (Photo by Rungroj Yongrit/EPA)

Rugby Union, New Zealand vs Tonga, IRB Rugby World Cup 2015 Pool C, St James' Park, Newcastle, Englandon October 9, 2015: Fans is fancy dress before the game. (Photo by Andrew Yates/Reuters)

A Rajasthani folk dance artist performs while standing on two glasses during the “Dhora Ri Mahak” festival in Bhopal, India, 07 January 2015. The event is being organised by the “Indira Gandhi Rashtriya Manav Sangrahalaya” anthropology museum. (Photo by Sanjeev Gupta/EPA)

A boy runs past one of the exhibits during the Dinosaurs exhibition in Belgrade, Serbia, Thursday, August 21, 2014. “Dino Park” has opened at Belgrade's Kalemegdan Fortress. (Photo by Darko Vojinovic/AP Photo)

“These are the astonishing images of the very aptly named door to hell, a fiery crater thats baffled scientist and has been flaming away for more than 40 years. The crater is 230-feet wide and situated near Derweze village in Turkmenistan”. – Caters News. (Photo by William Keeping/Caters News)

Venezuela's acting President and presidential candidate Nicolas Maduro kisses a painting of late Venezuelan president Hugo Chavez during a campaign rally in the state of Vargas April 9, 2013. Venezuelans will hold presidential elections on April 14. Maduro promised on Tuesday to hike Venezuela's minimum wage by about 40 percent if he is elected in a weekend vote to replace late socialist leader Chavez. (Photo by Carlos Garcia Rawlins/Reuters)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.