Mott Sreymom, 34, a rat handler with the humanitarian demining organization APOPO, carries an African giant pouched rat back from a landmine field in Siem Reap, Cambodia, Tuesday, June 10, 2025. (Photo by Anton L. Delgado/AP Photo)

A United aircraft rolls over the highway to its parking position after landing at the airport in Frankfurt, Germany, Thursday, February 15, 2024. (Photo by Michael Probst/AP Photo)

Police are highly visible at the Notting Hill carnival with several arrests, stop and search and a “knife detection gate” in operation, August 27, 2018 in west London, England. 133 arrests were made at the carnival yesterday with 20 knives seized. (Photo by South West News Service/Action Press/Picturedesk)

Canadian singer-songwriter Jessie Reyez performs during the Corona Capital music festival in Mexico City, Saturday, November 16, 2024. (Photo by Eduardo Verdugo/AP Photo)

Nepalese army personnel pay tributes before the body of a person who died of COVID-19 before cremating the same in Kathmandu, Nepal, Monday, August 17, 2020. (Photo by Niranjan Shrestha/AP Photo)

Festival-goers wash on Shipyard Island, the venue of the 24th Sziget (Island) Festival in Northern Budapest, Hungary, 15 August 2016. The venue, one of the biggest cultural events of Europe, offers art exhibitions, theatrical and circus performances and above all music concerts from 10 to 17 August. (Photo by Szabó Gábor/Origo.hu)

U.S. Park Police work to keep people away from the area surrounding the Washington Monument after a 5.8 magnitude earthquake struck the east coast August 23, 2011 in Washington, DC. Police officers said that unidentified material had fallen off the Washington Monument as a result of the earthquake. All the monuments and buildings along the National Mall have been evacuated and closed. (Photo by Chip Somodevilla/Getty Images)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.