Assassin’s Creed is a game that is set in the past with the main character’s subconsciousness traveling through the fabric of time to acquire hidden knowledge. The level designers of Assassin’s Creed Unity have meticulously recreated the streets of 1789 Paris to allow the users to become completely engulfed by the atmosphere of this proud and ancient city. Each year, games are becoming more and more realistic, and soon the line between movie footage and computer generated world will completely blur. This is both scary and exciting prospect, yet there is no doubt that someday, virtual world will be indistinguishable from the real one. To illustrate this, Damien Hypolite has taken a series of photos which compare scenes from Assassin’s Creed to the real placed in modern Paris. (Photo by Damien)

“I’d come to the Altai Mountains on an Adventure Sherpas tour. Our group of 12 was made up mostly of Minnesotans who’d left warm weather and falling leaves for frosty Mongolia. We’d come to sleep in cozy ger tents, the traditional yurt abode of the Mongolian steppe; sip mare’s milk tea; climb mountain glaciers; ride horses to an ancient battle site, and attend the annual Eagle Hunting Festival in Ölgiy...”. – Kathryn Kysar via The Star Tribune. Here: hunter Berek and his eagle outside his home. (Photo by Brad Ruoho/The Star Tribune)

New York-based visual artist and filmmaker Rä di Martino has taken a series of eerie and beautiful photos that capture scenes of abandoned Hollywood film sets. Martino spent over a year traveling throughout the desert towns of Morocco and Tunisia hunting down the old Star Wars sets, exploring these massive structures that stand almost like ancient ruins. “No More Stars” showcases the backdrop of Luke Skywalker's home on the fictional desert planet Tatooine. (Photo by Rä di Martino)

In this photo taken on Tuesday, December 20, 2016, dancers of the U.S. company “Catapult” create a group of ostriches, during their show “Magic Shadows”, in Milan, Italy. Dancers in the company create shadow sculptures with their bodies, giving a contemporary twist to the ancient Chinese art of shadow theaters. (Photo by Luca Bruno/AP Photo)

A photo made available on 14 March 2016 shows a Thai villager takes selfie photograph on drought parched land at the dried up Mae Chang reservoir in Lampang province, northern Thailand, 12 March 2016. The ruined village including ancient temple had been underwater for 34 years since the Mae Chang reservoir was built in 1982, the area has now re-emerged after water in the reservoir dried up caused by the severe drought. Thailand is facing the worst drought in decades hardest hit by El Nino phenomenon combined with seasonal hot weather. (Photo by Rungroj Yongrit/EPA)

A cat looks on near the Victory Pillar at the ruins of the Serapeum of Alexandria, an ancient Greek temple dating to the Ptolemaic and Roman periods (246 BC – 391 AD) dedicated to the city's protector deity Serapis, in Egypt's northern coastal city of Alexandria on November 24, 2023. The giant Corinthian column, commonly misidentified as “Pompey's Pillar”, is a Roman triumphal column set up in honour of the Roman emperor Diocletian (298–302 AD), and originally supported a colossal porphyry statue of the emperor in armour. (Photo by Amir Makar/AFP Photo)

Two holy men with a decorative faces and headdresses, taken in Kathmandu, Nepal. Wandering through the cities and forests of Nepal are the holy men, or Sadhus, who have left all materialistic pleasures behind to live a life devoted to God. Their appearances vary from brightly coloured face paints, and decorations, to minimalistic practical clothing, but they all represent the fundamental values and meanings of Hinduism. Danish photographer Jan Moeller Hansen visited the ancient capital city of Kathmandu between 2013 and 2016 and documented the mysterious holy wanderers. (Photo by Jan Moeller Hansen/Barcroft Images)

Mohamed Mostafa, 35, carries dyed yarns at a dye workshop in old Cairo, Egypt, March 17, 2016. Egypt's hard currency crisis and competition from modern factories in Asia and at home threaten one of the last dye workshops in Egypt. But one of its owners takes comfort in the trade's ancient resilience. Mohamed Mostafa boasts that the profession dates back 3,000 years, so it can survive anything. (Photo by Amr Abdallah Dalsh/Reuters)