Construction workers walk past a mural in Phnom Penh on September 6, 2022. (Photo by Tang Chhin Sothy/AFP Photo)

A man looks at the description of a sculpture depicting 17-year-old male chimpanzee Jaska, by Gillie and Mark, in London, Tuesday, September 20, 2022. (Photo by Vadim Ghirda/AP Photo)

Visitors look at the work titled “In Bed”, 2005 by Australian-born artist Ron Mueck at Triennale di Milano on January 09, 2024 in Milan, Italy. (Photo by Giuseppe Cottini/Getty Images)

A major new exhibition exploring the irresistible force of cuteness in contemporary culture at Somerset House, London on January 24, 2024. From emojis to internet memes, video games to plushie toys, food to loveable robotic design, cuteness has taken over our world. (Photo by Paul Quezada-Neiman/Alamy Live News)

A visitor stands near an art installation portraying China's President Xi Jinping, U.S. President Donald Trump and Russia's President Vladimir Putin during the ARTSUBS exhibition in Surabaya, Indonesia on August 2, 2025. (Photo by Juni Kriswanto/AFP Photo)

British artist Nnena Kalu's presentation during a press preview for the 2025 Turner Prize at Cartwright Hall Art Gallery in Bradford, Britain, 23 September 2025. The Turner Prize is awarded to a British artist for an outstanding exhibition or presentation during the previous year. The shortlisted artists are Nnena Kalu, Rene Matic, Mohammed Sami, and Zadie Xa. The 2025 Turner Prize is held at Cartwright Hall in recognition of Bradford's status as UK City of Culture 2025. (Photo by Adam Vaughan/EPA)

A light installation called “Run Beyond” by Angelo Bonello is seen on the launch day of the Light Festival at Battersea Power station on January 13, 2022 in London, England. Running from January 13 to February 27, the curated collection of installations includes work by six artists, with two displays making their UK exhibition debut. (Photo by Leon Neal/Getty Images)

The graffiti against the war in Ukraine of the street artist ChemiS in Prague, Czech Republic, March 19, 2022. (Photo by Amos Chapple/Radio Free Europe/Radio Liberty)