“Adventurers have gone deep underground to discover previously unexplored caves in these pictures. The awe-inspiring snaps show the cavers dwarfed by the huge series natural rock chambers in the Leye – Fengshan Geopark, China. Belgian photographer Francois-Xavier De Ruydts, 33, captured the team of explorers as they trekked through the deep wonderground in January 2014”. – Caters News. Here: Caving expedition in Fengshan, China, Guangxi province. (Photo by Francois-Xavier De Ruydts/Caters News)

The time of selfies with duck faces is long gone and ridiculed, though some persist in doing it. Helene Meldahl, however, didn’t want to give up the trend, but had to think of a creative way to keep doing it. So she decided to create comical pictures by drawing over the selfies that she has made. Some people just can’t stop taking pictures of themselves. It makes you wonder, what they would do in an era before the existence of cameras… Oh, poor souls, they would definitely suffer greatly without the possibility of sharing on instagram their “stunning looks” and the pictures of food that they eat every 2 seconds. (Photo by Helene Meldahl)

These Halloween horrors were all carved out of humble pumpkins by Ray Villafane and his team of professional sculptors who meticulously carved the terrifying characters using spoons and scalpels. Each one takes on average two hours to complete – with the horrifying results netting Villafane, plus colleagues Andy Bergholtz and Chris Vierra, numerous TV appearances each Halloween. This year the team has gone global travelling to Germany, Switzerland and Hong Kong to create their masterpieces. Photo: A horror face carved out of a pumpkin by Ray Villafane and team in Bellaire, Michigan. (Photo by Ray Villafane/Barcroft Media)

The giant inflatable Rubber Duck installation by Dutch artist Florentijn Hofman floats on the Parramatta River, as part of the 2014 Sydney Festival, in Western Sydney, January 10, 2014. The creation is five stories tall and five stories wide and has been seen floating in various cities around the world since 2007. (Photo by Jason Reed/Reuters)

“Baby jumping (El Colacho) is a traditional Spanish practice dating back to 1620 that takes place annually to celebrate the Catholic feast of Corpus Christi in the village of Castrillo de Murcia near Burgos. During the act – known as El Salto del Colacho (the devil's jump) or simply El Colacho – men dressed as the Devil (known as the Colacho) jump over babies born during the previous twelve months of the year who lie on mattresses in the street. ... The festival has been rated as one of the most dangerous in the world”. – Wikipedia

Photo: A man representing the devil leaps over babies during the festival of El Colacho on June 26, 2011 in Castrillo de Murcia near Burgos, Spain. The festival, held on the first Sunday after Corpus Cristi, represents the devil taking away original sin from the newly born babies by leaping over them. (Photo by Denis Doyle/Getty Images)

It's a 30-day-old Echidna baby, known as a “puggle” – one of only 24 ever bred in captivity. The proud parents are Tippy and Pickle of Australia Zoo. The tiny baby, whose s*x has not yet been identified, hatched from a soft egg and will continue to develop and nurse inside Tippy's warm pouch. (Photo by Australia Zoo/Rex/Sipa Press)

“I bought my first dlsr camera in 2009 may. The first part of my life is gone but the other i dedicate to photography. If i try to imagine myself, i saw someone on the road, who walking straight to the light. This kind of light is the photography and the post-processing in my life. My pictures express the feelings, moods what i felt under my trip in the last few years”. – Ildiko Neer

Photo: “Path to the shine”, 2011. (Photo by Ildiko Neer)

Zulmira Jesus poses for a portrait at a street in Povoa de Agracoes, near Chaves, Portugal April 19, 2016. In the villages of Agracoes and Povoa de Agracoe, the steady drip-drip of emigration has brought down population numbers from more than 50 residents to fewer than a dozen each. These remaining villagers share the same glum acceptance that, after they have gone, their villages will die out too. It is the same desolate picture in scores of other backwater settlements in Portugal's interior, north to south. (Photo by Rafael Marchante/Reuters)