People skate through the forest at Domaine de la Foret Perdu or the Lost Forest, a 15km weaving and zambonied forest trail made for skating in Notre-Dame-du-Mont-Carmel, near Three Rivers, Quebec January 29, 2017. (Photo by Christinne Muschi/Reuters)

Ukraine's Taisiia Onofriichuk performs with the clubs as she competes in the rhytmic gymnastics' individual all-around qualification during the Paris 2024 Olympic Games at the Porte de la Chapelle Arena in Paris, on August 8, 2024. (Photo by Mike Blake/Reuters)

As the sun sets on the Malecon in Havana on Friday January 23, 2015, Surenis Angulo de la Paz, 24, center, dances as group of locals play music around her. Behind her is Fidel Lopez, 55. (Photo by Sarah L. Voisin/The Washington Post)

A person dressed up as Spider-Man sits next to the cabs as taxi drivers hold a protest against taxi-hailing apps such as Uber, Cabify and Didi at Angel de la Independencia monument, in Mexico City, Mexico, October 12, 2020. (Photo by Edgard Garrido/Reuters)

Medical personnel jump in the COVID-19 unit at the CHR Centre Hospitalier Regional de la Citadelle Hospital, during the coronavirus disease (COVID-19) outbreak, in Liege, Belgium, April 22, 2020. (Photo by Yves Herman/Reuters)

Italian Moto2 rider Lorenzo Dalla Porta, Italtrans Racing Team, crashes during the race of the Motorcycling Grand Prix of Andalusia at the Jerez-Angel Nieto circuit in Jerez de la Frontera, Spain, 26 July 2020. (Photo by Roman Rios/EPA/EFE)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

Serge Huguenin of the Blondeau foundry takes the newly melted bell out of the mould in La Chaux-de-Fonds, Switzerland January 21, 2016. At this year's Summer Olympics in Rio de Janeiro, no matter how elaborate the opening ceremony or how sophisticated the live broadcasts, the final lap of athletics races will be announced the traditional way by ringing an old-fashioned bell. Omega, the official timekeeper of the event, has ordered 21 bells, forged almost entirely by hand by Blondeau's Bell Foundry in the Jura Mountains in Switzerland. Each last-lap bell is branded with the RIO 2016 logo and circled with the words “2016 GAMES OF THE XXXI OLYMPIAD”. (Photo by Denis Balibouse/Reuters)