A woman holds a parasol as she stands in a field of fireweed, or Kochia scoparia, on a sunny autumn day at the Hitachi Seaside Park in Hitachi, north of Tokyo, October 26, 2015. Fireweed is a grass bush that takes on a bright red colour in autumn. (Photo by Thomas Peter/Reuters)

Women take pictures between stone sculptures of half-buried people at the Lapindo mud field in Sidoarjo, October 11, 2015. Disaster tourism has become more common in Indonesia, where visitors are drawn to sites of earthquakes, floods and volcanic eruptions to witness the aftermath of catastrophes or simply do some soul-searching. (Photo by Reuters/Beawiharta)

A layer of morning mist still covers the fields as the sun rises into the morning sky over Hohenfelden, Thuringia state, Germany, early 07 September 2016. Meteorologists predict the weather to become warm and sunny in the region with temperatures reaching around 256 degrees Celsius. (Photo by Martin Schutt/EPA)

Arnaq Egede walks to the potato field on her family's farm on July 31, 2013 in Qaqortoq, Greenland. The farm, the largest in Greenland, has seen an extended crop growing season due to climate change. (Photo by Joe Raedle/Getty Images)

Migrants prepare their food outside shelters in a muddy field called the Grande-Synthe jungle, near Dunkirk, northern France, January 12, 2016. The Grande-Synthe jungle is a camp of tents and makeshift shelters where migrants and asylum seekers from Irak, Kurdistan and Syria gather. (Photo by Benoit Tessier/Reuters)

A rainbow rises over flooded fields after the Rivers Thames and Churn burst their banks, in Cricklade, western England on January 3, 2024, following Storm Henk which brought strong winds and heavy rain across much of the country. (Photo by Adrian Dennis/AFP Photo)

Liz Clay competes against Michelle Jenneke in the Womens 100m Hurdles final during the 2024 Sydney Track Classic at ES Marks Athletic Field on March 23, 2024 in Sydney, Australia. (Photo by Cameron Spencer/Getty Images)

Figures from Antony Gormley's “Field For The British Isles” adorns an exhibition space in St Helen's College in the town of it's creation 15 years ago, June 23, 2008, St Helens, England. The installation of over 40,000 clay figures has returned to the place where it was made by local people from local clay. Artist Antony Gormley describes his creation as “25 tons of clay energised by fire, sensitised by touch and made conscious by being given eyes ... a field of gazes which looks at the observer making him or her its subject”. (Photo by Christopher Furlong/Getty Images)