Carolaine Reis and her son Miguel Alves, residents of the Aglomerado da Serra favela, wear a protective mask against the spread of the new Coronavirus (COVID-19) made by the seamstresses of the Remexe Favelinha studio, in the Aglomerado da Serra favela, on April 13, 2020 in Belo Horizonte, Brazil. Facial masks follow the protocol and guidelines defined by the Ministry of Health. Around 6,000 masks have already been produced. The masks are being distributed to a part of the population and sold throughout the country, in the amount of 5 reais per unit. (Photo by Pedro Vilela/Getty Images)

Members of Siam Classic Dance Studio perform for onlookers at Haymarket on January 21, 2023 in Sydney, Australia. The Lunar New Year or Spring Festival marks the transition of the Chinese zodiac sign from one animal to the next. 2023 sees in the Year of the Rabbit, which begins on January 22. In Chinese culture, the Rabbit is a symbol of longevity, peace and prosperity. The festival is celebrated in Australia by the country's significant Chinese-origin minority, who follow much of the same traditions as the Chinese diaspora in the rest of the world. (Photo by Lisa Maree Williams/Getty Images)

A leopard runs to at people as they run for cover in Katmandu, Nepal, on April 10, 2013. According to reports, 15 people were injured including three policemen and two officials from the Department of Forest. The leopard was later killed with the help of Nepalese policemen and local media. (Photo by Niranjan Shrestha/Associated Press)

ATTENTION: VISUAL COVERAGE OF SCENES OF INJURY AND DEATH

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.

After school and civil service, Thomas Mangold went off to study Visual Communications in Dortmund where he still lives. During these studies, he had the opportunity for an internship at the advertising agency Grey Dusseldorf and also began to receive invites to publish his photographic series in magazines. Around this time, a new professor at the college arranged a one week intensive seminar in Strata 3D.