The Angel of The North at Gateshead in Tyne and Wear, UK with a halo drawn in sky using a light on a drone, captured during a 25-second exposure on January 20, 2025. (Photo by Ian Sproat/Picture Exclusive)

Jockeys and their horses compete in the Cross Country Chase, the fourth race on the second day of the Cheltenham Festival at Cheltenham Racecourse, in Cheltenham, western England on March 12, 2025. (Photo by Justin Tallis/AFP Photo)

Raquel Poti poses for photographers during the “Amigos da Onça” street party on the second day of Carnival on February 10, 2024 in Rio de Janeiro, Brazil. (Photo by Buda Mendes/Getty Images)

Tourists in the Serengeti, Tanzania in the second decade of February 2024, get more than they bargained for as a cheetah jumps on the bonnet of their jeep to make their acquaintance. (Photo by Ann Aveyard/Animal News Agency)

Racegoers shelter from the rain as they attend on the second day of the Grand National Festival horse race meeting at Aintree Racecourse in Liverpool, north-west England, on April 14, 2023. (Photo by Oli Scarff/AFP Photo)

Palestinians gather at the beach in Israel's coastal city of Tel Aviv on June 29, 2023 on the second day of the Eid al-Adha Muslim holiday. (Photo by Menahem Kahana/AFP Photo)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

The shoemaker in Turkey, the potato seller in Vietnam, and the weaver in Bolivia are among the billions of low-income entrepreneurs who make the world go round. They are also the type of people who can benefit significantly from microfinance. Every year, the Consultative Group To Assist The Poor (or CGAP) hosts a photo contest asking entrants to submit photos based around the idea of microfinance.The purpose of the contest is to give amateur and professional photographers a chance to show the different ways that poor households manage their financial lives and make their lives better through financial inclusion. Photo: South Asia Regional Winner – “Bricks Worker”, Bangladesh. A private enterprise worker is working at a brick field. These small businesses are creating new job opportunities for many poor people. (Photo by Moksumul Haque)