Elio Angulo (bottom C) lies inside a cardboard coffin next to Alejandro Blanchard as they introduce their product to potential customers at a mortuary in Valencia, in the state of Carabobo, Venezuela August 25, 2016. When Venezuelan entrepreneurs Alejandro Blanchard and Elio Angulo decided to create cardboard coffins, they were looking for an ecological selling point to compete against classic wood and brass caskets. Three years on, with the oil-rich country mired in deep economic crisis, their “bio-coffins” are becoming a viable option because of high prices for wooden coffins and shortages of brass ones. (Photo by Marco Bello/Reuters)

Brooklyn-based artist Orly Genger comes to Manhattan with an installation called Red, Yellow and Blue. The work features the artists usage of intricately hand-knotted nautical rope covered in paint, creating a work that transforms the park’s lawns into colorfully-lined chambers that visitors can enjoy. The work will remain on view daily from May 2 through September 8, 2013 in Madison Square Park.

Natalia Arango works with her mine detector in a zone of landmines planted by rebels groups near Sonson in Antioquia province, November 19, 2015. Women's work takes on a nontraditional meaning for fifteen Colombian women who work to rid the Antioquia Mountains of deadly landmines as the country edges closer to a peace agreement with Marxist rebels to end over a decade of conflict which has claimed 220,000 lives. (Photo by Fredy Builes/Reuters)

Indian children work nearby to their parents at a construction project in front of the Jawaharlal Nehru Stadium on January 30, 2010 in New Delhi, India. The children accompany their parents to the work site, where if they are prepared to work, they will receive money for bread an milk and be provided with dinner by the contractor. The sheer scale of the project has drawn an enormous population of migrant workers from all over India.

Alexis Marcou is a visual artist known for his commercial and self initiated work. He has done freelance work for clients such as Nike, Inc., Atomic Skis, Hewlett Packard, Cisco, Gatorade, Boehringer Ingelheim, BMW and Acco Brands.

Unloading a Cartopper from a UPRR work train at Port Barre Louisiana. Kinda scary to watch, but it worked like a charm.

Employees work on an electric train assembly line at the “Stadler Minsk” plant in Fanipol, Belarus February 10, 2016. (Photo by Vasily Fedosenko/Reuters)

Zarnala is a female illustrator with a knack for anthropomorphic illustration, combining human and animal elements to create something altogether new. Unlike other forms of anthropomorphic art one can find out there though, her work always retains a tasteful, professional edge similar to the feel I get from comics like Juanjo Garnido's take on Blacksad. With an awesome watercolor themed approach to all her illustration work and her use of graphic shapes to frame her characters, at times it gives her art a strangely retro look that reminds one of the works of Norman Rockwell and JC Leyendecker. Check out more of her work after the break!