This artist's scoreboard displays a fictional game between Mars and Earth, with Mars in the lead. It refers to the success rate of sending missions to Mars, both as orbiters and landers. Of the previous 39 missions targeted for Mars from around the world, 15 have been successes and 24 failures. For baseball fans, that's a batting average of .385. The United States has had 13 successes out of 18 attempts, or a “batting average” of .722. NASA's Curiosity rover, set to land on the Red Planet the evening of Aug. 5, 2012 PDT (morning of Aug. 6 EDT), will mark the United States' 19th attempt to tackle the challenge of Mars, and the world's 40th attempt. (Image by NASA/JPL-Caltech)

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)

A displaced Yemeni woman from Hodeida fills water containers at a make-shift camp in a village in the northern district of Abs in the country's Hajjah province, on May 9, 2019. The Yemeni conflict has triggered what the United Nations describes as the world's worst humanitarian crisis, with 3.3 million people still displaced and 24.1 million in need of aid. (Photo by Essa Ahmed/AFP Photo)

A group of dust covered child labourers gather for a portrait in the brick kiln in Kathmandu Valley, Nepal, 22 February 2015. Bleak photos identify the children working their fingers to the bone in Nepalís brick kilns. Photographer Jan Mˆller Hansen documented the conditions of the brick kilns in Kathmandu Valley, Nepal between 2013 and 2016 while he lived and worked in the area. Jan estimates between 150,000 and 175,000 people are employed in the 200 brick kilns littering the Kathmandu Valley. (Photo by Jan Moeller Hansen/Barcroft Images)

Fighters Holly “The Lotus” Mei (L) and Teri “Feisty Fists” London train for the upcoming 'Lingerie Fighting Championships 22: Costume Brawl I' at DXG Self Defense on October 25, 2016 in Las Vegas, Nevada. The event is scheduled to feature eight bouts at 4 Bears Casino & Lodge on October 29, 2016 in New Town, North Dakota. (Photo by Ethan Miller/Getty Images)

Highland dancers perform on Thursday, August 4, 2022 on the Esplanade of Edinburgh Castle at this year's Royal Edinburgh Military Tattoo. After a two-year hiatus the Tattoo returns with the 2022 show titled “Voices” with over 800 performers and includes international performances from Mexico, The United States, Switzerland and New Zealand. (Photo by Jane Barlow/PA Images via Getty Images)

Britain's Catherine, Duchess of Cambridge, shelters from the rain under an umbrella as she arrives at the London School of Economics to mark the launch of The Royal Foundation Centre for Early Childhood, where she took part in a roundtable discussion on the Centre's inaugural report, “Big Change Starts Small” which was released today, in London on June 18, 2021. (Photo by Richard Pohle/Pool via AFP Photo)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)