This handout picture taken and released by the Borneo Orangutan Survival Foundation (BOSF) on October 26, 2015 shows baby orangutans, which had previously suffered from respiratory problems, playing at a nursery in the rehabilitation centre operated by the BOSF on the outskirts of Palangkaraya in Central Kalimantan. Endangered orangutans are falling victim to a devastating haze crisis that has left them sick, malnourished and severely traumatised as fires rage through Indonesia's forests, reducing their habitat to a charred wasteland. (Photo by AFP Photo/Borneo Orangutan Survival Foundation/Indrayana)

Nyaueth by Peter Zelewski – £2,000 third prize winner. This was taken near London’s Oxford Street as part of Zelewski’s series Beautiful Strangers. Zelewski explains: ‘The aim of Beautiful Strangers is to challenge the concept of traditional beauty with a series of spontaneous street portraits of everyday citizens who show character, uniqueness and a special inner quality’. (Photo by Peter Zelewski/Taylor Wessing Portrait Prize 2015)

These romantic sepia shots show lovers enjoying quiet, unguarded moments together – but the subjects are not besotted couples; they are fearsome big cats. Freelance snapper Goran Anastasovski has devoted more than 10 years of his life to photographing big cats and other animals. The 46-year-old from Macedonia aims to emphasize their human qualities in his photographs. (Photo by Goran Anastasovski/Caters News)

Kristina Elekes, 23, races on her ski during the Bikini Race contest held at Arena Platos Paltinis winter resort, near Sibiu city, 275 Km north from Bucharest, Romania, 06 March 2016. Bikini Race is a timed show on the slopes, at the fourth edition, for women dressed only in swimmsuits and some winter accessories. (Photo by Mihaela Bobar/EPA)

A picture made available on 07 March 2016 shows visitors petting and holding a Fennec fox, native to the Sahara, in the petting room at the Little Zoo Cafe, a business built to capitalize on Thais' love for exotic animals, and food, on the outskirts of Bangkok, Thailand, 05 March 2016. The cafe boasts Fennec foxes, Meerkat, native to parts of Africa, Silver Fox, Raccoon and Chinchillas, along with a menu of Thai food and Cheesecake, among other sweet deserts. Nature is a faraway fantasy in the bustling exhaust-filled cement city of Bangkok, fuelling a demand to own and be close to exotic pets. The trend to be near to a species that was once wild, in a city environment, far from the natural setting, has drawn criticism but continues to grow. (Photo by Barbara Walton/EPA)

Fabrice Monteiro travelled to the most polluted places in Africa and created terrifying characters who roamed their midst dressed in eerie debris. They are spirits, he says, on a mission to make humans change their ways. Informed by Africa’s environmental problems, Fabrice Monteiro’s photographs aim to highlight urgent ecological issues all over the world. His series “The Prophecy” is on show at Photo Basel 2017 until 18 June. (Photo by Fabrice Monteiro/Photo Basel 2017/Mariane Ibrahim Gallery/The Guardian)

The winner of the Miss Tattoo Brazil 2014 contest, Bruna Barros, shows a tattoo that says 'My body, my rules' during Tattoo Week, the largest convention of art in the skin of Latin America, in Sao Paulo, Brazil, 14 July 2017. A tattooed woman beauty pageant, the new trends and techniques of the tattoo world, body piercing and the environment of the art of definitively painting the body, are all due to be addressed during the seventh edition of the “Tattoo Week Sao Paulo“. (Photo by Sebastiao Moreira/EPA)

Praia du Forte, Bahia. “This was the lead picture for a National Geographic story on Bahia, because it was both mysterious as well as a “geography” picture showing where the slaves arrived from Nigeria. Beach pictures seem like they should be easy to take, but for me they are actually quite difficult. Too easy to fall into cliche. When I saw the kid coming on the horse, I quickly ran to see if I could make something with a woman in a bikini that was not a bikini shot”. (Photo by David Alan Harvey/The Guardian)