A visitor is dwared between the wheels of BelAZ 450-ton dump truck (L) and BelAZ 360-ton dump truck (R) at the plant of Belarusian manufacturer of heavy trucks and equipment for earthmoving, BelAZ, in Zhodino, some 55 km from Minsk, Belarus, 27 August 2019. The company mostly delivers its products to CIS mining companies, mainly from Russia and Ukraine. (Photo by Tatyana Zenkovich/EPA/EFE/Rex Features/Shutterstock)

Sara Moni, dressed as the World of Warcraft's Sinestra, poses for photographers on day three of the Comic-Con International held at the San Diego Convention Center Saturday July 23, 2016 in San Diego. (Photo by Denis Poroy/Invision/AP Photo)

This incredible panoramic photographs are distorted to create miniature worlds and terrifying tunnels. (Photo by Caters News)

An Indian cyclist pedals with a child during heavy rain in Mumbai, Maharashtra state, India, Friday, July 24, 2015. Several parts of the city witnessed heavy rain Friday. The monsoon rains which usually hit India from June to September are crucial for farmers whose crops feed hundreds of millions of people. (Photo by Rajanish Kakade/AP Photo)

A volunteer operates a remote controlled disinfection robot to disinfect a residental area amid the COVID-19 coronavirus outbreak in Wuhan in China's central Hubei province on March 16, 2020. China tightened quarantine measures for international arrivals on March 16 as the country worries about a rise in imported cases of the deadly coronavirus and anger rages online at how Europe and the United States are handling the pandemic. (Photo by AFP Photo/China Stringer Network)

An employee works on a glass sphere for Christmas and New Year decoration at the “Biryusinka” toy factory, which has been producing decorations and toys for the festive season since 1942, in the Siberian city of Krasnoyarsk, Russia, November 16, 2016. (Photo by Ilya Naymushin/Reuters)

Boys ride a motorbike on their way back home after taking a bath in a canal at Chachura village, in Uttar Pradesh April 4, 2012. (Photo by Parivartan Sharma/Reuters)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)