A person walks past graffiti by arstist selfnamed El Primo de Bansky (the cousin of Bansky) of former Spanish King Juan Carlos in Valencia, Spain, 05 August 2020. The Spanish Royal Household has announced that Emeritus King Juan Carlos I has proclaimed his intended decision to move abroad so as to not interfere in the image of the Spanish monarchy due to his alleged implication in a Swiss offshore account investigation. (Photo by Biel Aliño/EPA/EFE)

A dancer poses with a new installation of art by British graffiti artist Banksy painted on the front door of the Hustler Club in New York, October 24, 2013. Known for his anti-authoritarian black-and-white stenciled images, which have sold at auction for upwards of $2 million, the British street artist is treating New Yorkers to a daily dose of spray-painted art – while eluding the police and incurring the wrath of New York Mayor Michael Bloomberg. (Photo by Eric Thayer/Reuters)

Al Fursan, the UAE Air Force aerobatic display team, perform during the opening of the Dubai Airshow in United Arab Emirates, Sunday, November 8, 2015. Dubai Airshow took off today to a slow start amid little expectations of major orders to match the multi-billion-dollar sales generated at the last edition of the biennial fair. (Photo by Kamran Jebreili/AP Photo)

Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.