Photographer Han Youngsoo captured the ordinary people of Korea as the country emerged from war into an age of prosperity. Han Youngsoo: Photographs of Seoul 1956–63 is at the International Center of Photography (ICP), Jersey City, New Jersey, until June 9, 2017. Here: Seoul, Korea. (Photo by Han Youngsoo/The Guardian)

Joseph Szabo was a frustrated high-school teacher in need of inspiration – so he started photographing his students, and captured all the angst and excitement of being caught between childhood and adulthood. Here: “Priscilla”, 1969. (Photo by Joseph Szabo/Courtesy of Michael Hoppen Gallery/The Guardian)

A truck driver, butcher and firefighter are some of the subjects in the latest project by the photographer Chris Crisman. This series portrays women at work and focuses on occupations traditionally seen as male dominated. Here: Firefighter Mindy Gabriel, from Upper Arlington, Ohio. (Photo by Chris Crisman/The Guardian)

Many of the 12 million people who entered the US through New York’s Ellis Island wore traditional dress from their homelands. Here: A Ruthenian woman circa 1906 from the region historically inhabiting the kingdom of the Rus, incorporating parts of modern-day Slavic speaking countries. Her outfit consists of a shirt and underskirt made from linen embroidered with traditional floral-based patterns. (Photo by Augustus Francis Sherman/New York Public Library/The Guardian)

For her series “Japanese Whispers”, Belgian photographer Zaza Bertrand headed inside the intimate world of rabuhos – Japanese love hotels. Love hotels became popular in Japan from the 1960s onwards, due to a lack of privacy in many family homes. There are now around 37,000 of these hotels in Japan, allowing short daytime “rests” or overnight stays. (Photo by Zaza Bertrand/The Guardian)

Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

Photographer Emily Dryden and sculptor/actor Zahydé Pietri combine theatricality and organic produce to compose the photographs for their series Fresh Faces. The portraits are made from a wide range of fruit and vegetables and aim to highlight humanity’s diversity – Pietri is from Puerto Rico and Dryden is from New York. Each face has its own name and identity: “We have stories for them, which you can see in the expressions”, says Dryden, “but we decided to keep them to ourselves. We didn’t want to spoil that”. (Photo by Emily Dryden and Zahydé Pietri/The Guardian)

Elaborately dressed monks costumed as wrathful guardian spirits perform ceremonial dances during the Tenchi Festival on May 25, 2014 in Lo Manthang, Nepal. The Tenchi Festival takes place annually in Lo Manthang, the capital of Upper Mustang and the former Tibetan Kingdom of Lo. Each spring, monks perform ceremonies, rites, and dances during the Tenchi Festival to dispel evils and demons from the former kingdom. (Photo by Taylor Weidman/Getty Images)