Masks based on real people's faces are diplayed at the Shuhei Okawara's mask shop in Tokyo, Japan on December 16, 2020. (Photo by Issei Kato/Reuters)

A woman dressed as Santa Claus poses for a picture during the Christmas season in front of a shopping center in Bangkok, Thailand on December 24, 2020. (Photo by Soe Zeya Tun/Reuters)

Sina prepares for the reopening of the latex fashion shop Savage Wear as the coronavirus disease (COVID-19) lockdown measures are eased in Berlin, Germany, March 9, 2021. (Photo by Hannibal Hanschke/Reuters)

Miesha Tate, UFC women's bantaweight shows the media how to fight during a UFC press conference at Akasaka Garden City on August 26, 2014 in Tokyo, Japan. (Photo by Atsushi Tomura/Getty Images)

These little grizzly bear cubs had fun making a real splash when their mum took them for a dip to learn how to fish. Kamchatka, Russia. (Photo by Marco Mattiussi/Solent News & Photo Agency)

“Over three years I photographed fans outside different concerts. I was fascinated by the different tribes of people that attended them, and how people emulated celebrity to form their identity. As I photographed the project I began to see how the concerts became events for people to come together with surrogate “families”, a chance to relive their youth or try and be part of a scene that happened before they were born” – James Mollison.

Photo: Madonna fans. (Photo by James Mollison)

In this January 12, 2015 photo, a wall of collectable sneakers are displayed at Sneaker Pawn in the Harlem section of New York. Basketball sneakers can re-sell for hundreds of dollars, depending on the model, the size of the production run and how easy it is to find a pair in good condition. (Photo by Seth Wenig/AP Photo)

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.