A chevrotain or mouse deer feeds in its enclosure at Zurich Zoo, Zurich, Switzerland, October 17, 2012. (Photo by Patrick B. Kraemer/AP)

Chow Hon Lam aka Flying Mouse, a tee shirt designer/illustrator from Malaysia. Chow just completed his personal project called Flying Mouse 365, which is create 1 design a day, 365 designs a year.

As the sun sets on the Malecon in Havana on Friday January 23, 2015, Surenis Angulo de la Paz, 24, center, dances as group of locals play music around her. Behind her is Fidel Lopez, 55. (Photo by Sarah L. Voisin/The Washington Post)

Medical personnel jump in the COVID-19 unit at the CHR Centre Hospitalier Regional de la Citadelle Hospital, during the coronavirus disease (COVID-19) outbreak, in Liege, Belgium, April 22, 2020. (Photo by Yves Herman/Reuters)

Italian Moto2 rider Lorenzo Dalla Porta, Italtrans Racing Team, crashes during the race of the Motorcycling Grand Prix of Andalusia at the Jerez-Angel Nieto circuit in Jerez de la Frontera, Spain, 26 July 2020. (Photo by Roman Rios/EPA/EFE)

A person dressed up as Spider-Man sits next to the cabs as taxi drivers hold a protest against taxi-hailing apps such as Uber, Cabify and Didi at Angel de la Independencia monument, in Mexico City, Mexico, October 12, 2020. (Photo by Edgard Garrido/Reuters)

In this photo provided by Mickey Nuttall, members of an international team of skydivers join hands, flying head-down to build their world record skydiving formation, Friday, July 31, 2015, over Ottawa, Ill. (Photo by Jason Peters via AP Photo)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.