Boats of fishermen are seen on the dried Poopo lakebed in the Oruro Department, south of La Paz, Bolivia, December 17, 2015. Lake Poopo in Bolivia, the Andean nation's formerly second largest after the famed Titicaca, has dried up entirely. With the water now gone, animals have died off in the millions, according to studies. And the local families, having lost much of their sustenance, have been forced to migrate. (Photo by David Mercado/Reuters)

The combination of Venezuela's sky-rocketing prices and chronic product shortages have left many struggling to put regular food on their tables and maintain a balanced diet. According to one recent study, 87 percent of Venezuelans say their income is now insufficient to purchase their food needs. Here: All the food available in the house of Antonia Torres and her family, is pictured at their home in Caracas, Venezuela April 22, 2016. (Photo by Carlos Garcia Rawlins/Reuters)

Several new species of peacock spider – just a few millimetres long and featuring extraordinary colours – have been discovered in Western Australia and South Australia. Jürgen Otto, a biologist from Sydney, has been researching the arachnids since 2005, and has gained a significant following online with his footage. He believes there are now 48 confirmed species of peacock spider within the Maratus genus, found across Australia but particularly in Western Australia – and many more awaiting confirmation. Here: Maratus Tasmanicus, one of seven new species of peacock spiders studied by the Sydney biologist Jürgen Otto. (Photo by Jürgen Otto)

Serra da Aboboreira Megalithic Set (Meninas do Crasto) on September 24, 2023 in Baiao, Portugal. Since 1978 that Serra da Aboboreira (Aboboreira Mountains) has been the scene of a systematic study of its archeological values, among which are the monuments known as megalithic. These are funerary monuments designing the landscape. These dolmens were constructed with stones (lithos) of medium or large dimensions (mega), which were laid in a, more or less, vertical position. Over these, it was still placed a lid, also of stone. These containers were covered by an artificial mound of earth and stones (dolmen). (Photo by Octavio Passos/Getty Images)

Howard Jackson, a Liberian migrant, poses for a portrait in the Andalusian capital of Seville, southern Spain March 7, 2016. Jackson escaped civil war and spent three years crossing Africa before reaching Spain. Dressed up in one of his more than 200 costumes, from Peter Pan to Little Red Riding Hood, he is a well-known figure at an intersection entering the Spanish city of Seville where he has sold tissues to motorists for over a decade. Jackson is studying law and wants to become a judge. (Photo by Marcelo del Pozo/Reuters)

A young man with an amputated leg poses for a photograph standing by his broken artificial limb in the rebel-controlled area of Maaret al-Numan town in Idlib province, Syria March 20, 2016. Two university students forced to interrupt their studies have learnt to make and fit hundreds of new limbs in the past four years in opposition-held areas of Syria. A mobile clinic operating from a truck has gone some way to improve access to treatment. While most patients are between 15 and 45, the clinic also helps children and the elderly with replacement limbs. (Photo by Khalil Ashawi/Reuters)

Documenting the effects of climate change first hand over the past eight years, Camille Seaman fears we may be on the road to the last iceberg. Photographing the enormous frozen floats at both poles for the past eight years, the Californian adventurer has seen the receding ice shelves and experienced the changing warmer weather. Feeling that her intimate and emotional work documents a snapshot of history, Camille presents her series “The Last Iceberg” as a study of what she sees as the personality of each huge iceberg. Drawing parallels with the famous novel, “The Last of the Mohicans”, Camille, 42, wonders whether these unique, almost alien natural features will become a thing of the past or part of nature's renewal process. (Photo by Camille Seaman/Barcroft Media)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)