The sun rises over the Baltic Sea and a pier with a tea house in Timmendorfer Strand, Germany, Sunday, August 7, 2022. (Photo by Michael Probst/AP Photo)

An Afghan boy carrying empty plastic cans, walks along a street in Kabul on December 21, 2023. (Photo by Wakil Kohsar/AFP Photo)

Belarusian schoolchildren, who are members of a pro-government Young Pioneer movement, perform with drums as they take part in a meeting to mark the 95th anniversary of their organisation in Minsk, Belarus May 19, 2017. (Photo by Vasily Fedosenko/Reuters)

Children eat watermelons to meet the “beginning of autumn” at a kindergarten in Handan, China on August 7, 2015. Chinese tradition to eat watermelons or peaches before that day symbolises “biting away summer”. The solar term ‘beginning of autumn’ falls on 8 August this year. (Photo by Xinhua/REX Shutterstock)

A woman walks protecting herself from rain after Hurricane Matthew in Les Anglais, Haiti, October 13, 2016. (Photo by Andres Martinez Casares/Reuters)

The camera rolls as actors dressed as historical Chinese soldiers act as though they have been hit by artillery, during filming of “The Last Prince” television series on location near Hengdian World Studios near Hengdian July 24, 2015. Hundreds of well-trained actors and other professionals are available at the Hengdian World Studios. The well-organised team coordinate complicated battle scenes to satisfy the huge appetite for productions about the war against Japan. (Photo by Damir Sagolj/Reuters)

Ukrainian law enforcement officers restrain an activist of women's rights group Femen, who holds a protest outside the presidential administration headquarters while marking the International Day for the Elimination of Violence against Women in Kyiv, Ukraine on November 25, 2020. (Photo by Valentyn Ogirenko/Reuters)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)