Elvis Presley tribute artist Bruce Stewart (L) of Georgian Bay, Ontario passes Lorenz Francke of Scarborough, Ontario during the four-day Collingwood Elvis Festival in Collingwood, Ontario July 25, 2015. Featuring over 120 Elvis tribute artists, it is the world's largest Elvis festival and last year hosted 30,000 visitors. (Photo by Chris Helgren/Reuters)

Bibi rides her bike on the Playa during the Burning Man 2015 “Carnival of Mirrors” arts and music festival in the Black Rock Desert of Nevada, August 31, 2015. Approximately 70,000 people from all over the world are gathering at the sold-out festival to spend a week in the remote desert to experience art, music and the unique community that develops. (Photo by Jim Urquhart/Reuters)

Young migrants gesture during a day of solidarity organised by local organizations and resdients for asylum seekers at a makeshift camp outside the foreign office in Brussels, Belgium September 6, 2015. Over 150,000 people seeking to enter Europe have reached Hungary this year, most coming through the southern border with Serbia, and many apply for asylum but quickly try to leave for wealthier EU countries. (Photo by Yves Herman/Reuters)

The “Yama” (Pit) memorial is seen in the centre of Minsk May 5, 2015. The memorial is dedicated of the destruction of the Minsk ghetto during World War Two, when several hundred thousands of Jews were slaughtered. Belarus will mark Victory Day on May 9, the 70th anniversary of the Soviet Union's victory over Nazi Germany. (Photo by Vasily Fedosenko/Reuters)

Women spray their designs on a wall during a graffiti class offered by the LATA 65 organization in Lisbon, Portugal May 14, 2015. The LATA 65 organization is an initiative for the elderly in the area of urban art. Since it began in 2012, they have introduced the world of graffiti to over 100 senior citizens, giving workshops in different neighborhoods of Lisbon. (Photo by Rafael Marchante/Reuters)

Miles Van Rensselaer using everything from glass and crystal to bronze and iron, from gold and silver to tooth and bone, from steel, copper and lead to wood, clay, feather and hair. He has been fortunate enough to work – and humbled by working – with and among talented artists from all over the world. His work is his homage to these people and their vanishing ways of life, his translation of their technique, imagery, idea of “primitive” art into modern Western materials.