Lando Norris of Great Britain and McLaren raises his trophy in celebration on the podium during the F1 Grand Prix of Abu Dhabi at Yas Marina Circuit on December 7, 2025 in Abu Dhabi, United Arab Emirates. (Photo by Jayce Illman/Getty Images)

American actress and model Julia Fox is seen on the 'One Night Only' movie set at the 'White Horse Tavern' in the West Village, Manhattan on December 02, 2025 in New York City. (Photo by Jose Perez/Bauer-Griffin/GC Images)

A surfer walks by as starfish cling to a pillar of UC San Diego's Ellen Browning Scripps Memorial Pier in a negative tide during the King Tides which are the year's most extreme high and low tides on December 6, 2025 in San Diego, CA. (Photo by Kevin Carter/Getty Images)

People admire “Dinosaur”, a pigeon sculpture along the High Line in New York, on Monday, October 21, 2024. The hand-painted sculpture by artist Iván Argote celebrates the pigeon's distant past as the birds descended from dinosaurs. (Photo by Spencer Platt/Getty Images)

Performers take part in a procession as part of the Samhuinn Fire Festival on October 31, 2024 in Edinburgh, Scotland. The Samhuinn Fire Festival is a modern take on an ancient Celtic festival, marking the transition between summer and winter with fire-dancing, drums, acrobatics, and theatre performances. (Photo by Jeff J. Mitchell/Getty Images)

Macro or Micro? Scientists’ pictures baffle our sense of scale. It began when Stephen Young, a geography professor at Salem State University in Massachusetts, tricked his biologist colleague Paul Kelly into thinking a satellite image was one of his electron microscope scans. Can you guess whether they are close-up or very far away? (Photo by Paul Kelly)

A full size working replica of the pink limousine used by Parker to chauffeur Lady Penelope in Gerry Anderson's television series “Thunderbirds”, unveiled at Woburn Abbey. United Kingdom, 27th May 1968. (Photo by Jim Gray/Keystone/Getty Images)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.