Competitors prepare backstage before the 2015 Brazil Miss and Mister Fitness contest in Sao Paulo, Brazil, June 18, 2015. Some 96 men and women from all across the country competed in the event. (Photo by Paulo Whitaker/Reuters)

Twenty-four-year-old Maryam Aghayee makes hyper-realistic baby dolls acting as surrogates for some Iranian families who are apprehensive of having more children. “It has been about three or four months since I started this work”, says Maryam in Tehran, Iran on October 7, 2020. “After making my second doll, many orders have been coming in. The second doll was much more realistic than the previous one. After making my second doll, I said that from now on I can take customer orders. I did not intend to start a business from the beginning because it was a hobby, but after the second doll, the demand for these kinds of dolls increased, customers want to have such dolls”. (Photo by Majid Asgaripour/WANA (West Asia News Agency) via Reuters)

A man carries a child in a wheelbarrow near a burning tire barricade in the framework of the protests of the last three days due to the increase in fuel prices, in Port-au-Prince, Haiti, 09 July 2018. Haiti was today practically paralyzed by a transport strike after three days of violent riots due to an increase in fuel prices, which the Government left without effect shortly after the announcement. The Prime Minister, Jack Guy Lafontant, today heads a meeting with representatives of Parliament to assess the situation created after the violent protests, which have left at least three dead and several injured. (Photo by Jean Marc Hervé Abelard/EPA/EFE)

“Huangguoshu Waterfall, also known as Yellow Fruit Tree Waterfall, is one of the largest waterfalls in China and East Asia located on the Baihe River in Anshun, Guizhou Province. It is 77.8 m (255 ft) high and 101 m (331 ft) wide. The main waterfall is 67 m (220 ft) high and 83.3 m (273 ft) wide”. – Wikipedia

Photo: The Miao ethnic minority women rest in front of Huangguoshu Cataract, Asia's largest waterfall, on September 13, 2011 in Anshun city of Guizhou Province, China. (Photo by Feng Li/Getty Images)

“Fernando Botero Angulo (born April 19, 1932) is a Colombian figurative artist. His works feature a figurative style, called by some “Boterismo”, which gives them an unmistakable identity. Botero depicts women, men, daily life, historical events and characters, milestones of art, still-life, animals and the natural world in general, with exaggerated and disproportionate volumetry, accompanied by fine details of scathing criticism, irony, humor, and ingenuity”. – Wikipedia

Photo: The Duke and Duchess of Devonshire view “Dancers” by artist Fernando Botero in the gardens of their home Chatsworth House on September 10, 2009, Chatsworth, England. (Photo by Christopher Furlong/Getty Images)

During his time in Ethiopia, New York-based art director and photographer Diego Arroyo spent time with the Hamar, Mursi, Dassanech, and Arbore Tribes. They, along with several others tribes, make up the 200,000 people situated in Africa’s Great Rift Valley. The people of the Omo Valley are still primarily herders and farmers, living an isolated and simple life. While they have yet to be truly touched by globalization, they could soon disappear. Their way of life is being threatened by a massive hydroelectric dam. (Photo by Diego Arroyo)

Participants wait backstage during the Miss Wheelchair India beauty pageant in Mumbai November 26, 2014. Seven women from across India participated in the country's second wheelchair beauty pageant, which aims to open doors for the wheelchair-bound in modelling, film and television, according to organisers. (Photo by Danish Siddiqui/Reuters)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.