Girls enjoy nice weather at a park in front of the Pothonggang Department Store in central Pyongyang October 11, 2015. (Photo by Damir Sagolj/Reuters)

An undated handout image provided by UNICEF Germany on 20 December 2016 shows the “UNICEF Photo of the Year 2016” by Iranian freelance photographer Arez Ghaderi. Ghaderi won the first prize for his picture of a girl in a makeshift tent city in the Razavi Khorasan province, Iran, it was announced at a ceremony in Berlin, Germany on 20 December 2016. (Photo by Ariz Ghaderi/EPA/UNICEF Deutschland)

A Rohingya refugee girl named Rufia Begum, aged 9, poses for a photograph as she wears thanaka paste at Balukhali camp in Cox's Bazaar, Bangladesh, March 31, 2018. (Photo by Clodagh Kilcoyne/Reuters)

A woman carries her child in a basket as she walks on a road in Allahabad, India, August 11, 2016. (Photo by Jitendra Prakash/Reuters)

(L-R) Playmate Victoria Silvstedt, Donald Trump and Melania Knauss at the Playboy 50th Anniversary celebration December 4, 2003 in New York City. (Photo by Peter Kramer/Getty Images)

Domestic tourists visit the beach at Wonsan Kalma Coastal Tourist Area in Wonsan, North Korea's Kangwon Province on July 1, 2025. North Korea opened a massive resort area on its east coast, state media said on July 2, with the tourism pet project of leader Kim Jong Un reportedly set to welcome Russian guests later this month. (Photo by Kim Won Jin/AFP Photo)

“Romain de Tirtoff (23 November 1892 – 21 April 1990) was a Russian-born French artist and designer known by the pseudonym Erté, the French pronunciation of his initials, R.T. He was a diversely talented 20th-century artist and designer who flourished in an array of fields, including fashion, jewellery, graphic arts, costume and set design for film, theatre, and opera, and interior decor”. – Wikipedia. Photo: Romain de Tirtoff (Erte) – “Symphony In Black” (please click to enlarge).

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)