Visitors walk past sculptures on display as part of the Sculpture by the Sea exhibition in Sydney on October 29, 2019. Sculpture by the Sea is the world's largest annual, free-to-the-public, outdoor sculpture exhibition. (Photo by Peter Parks/AFP Photo)

People look at “The Fall” sculpture by Steve Cramb on display between Bondi and Tamarama beach as part of the Sculpture by the Sea exhibition in Sydney on October 21, 2022. (Photo by Muhammad Farooq/AFP Photo)

Three Iranian women bathe in the sea on a shore of the Caspian sea in the city of Babolsar north of Tehran, on July 14, 2023 in Babolsar, Iran. The 7th National Festival of Sand Sculptures is being held in this town on the edge of the Caspian Sea. (Photo by Majid Saeedi/Getty Images)

A visitor looks at a sculpture by a Chinese artist Chen Wenling at the "Sculpture by the Sea" exhibition which runs along the Bondi to Tamarama coastal walk in Sydney on October 22, 2015. The world's largest annual free-to-the-public outdoor sculpture exhibition runs from October 22 – November 8 this year and features over 107 sculptures by artists around the world. (Photo by Saeed Khan/AFP Photo)

Who Left The Tap Running by artist Simon McGrath is seen as part of the Sculpture by the Sea outdoor exhibition along the Bondi to Bronte coastal walk on November 4, 2011 in Sydney, Australia. (Photo by Lisa Maree Williams/Getty Images)

Hvítserkur is 15 meters high cliff and protrudes out of the sea. The sea erosion has carved holes through its foundations and sculptured it in the unique shape it is today. Some say it is in the shape of a petrified monster.

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.