Zhou Xiaoxuan, center, weeps as she speaks to her supporters upon arrival at a courthouse in Beijing, Wednesday, December 2, 2020. Zhou, a Chinese woman who filed a sexual harassment lawsuit against a TV host, told dozens of cheering supporters at a courthouse Wednesday she hopes her case will encourage other victims of gender violence in a system that gives them few options to pursue complaints. (Photo by Andy Wong/AP Photo)

Latin dancing featured on the opening day of the 98th Blackpool Dance Festival in the Empress Ballroom in the city’s Winter Gardens on May 28, 2024. (Photo by James Glossop/ The Times & Sunday Times)

Families and children play at Brimham Rocks during their half term break in North Yorkshire, UK on February 18, 2025. (Photo by James Glossop/The Times & Sunday Times)

Michael Olivant, a Times reader, saw a chance to contribute when a Dalmatian pelican landed on his wife’s head at Lake Kerkini in northern Greece in the first decade of February 2025. (Photo by Michael Olivant/The Times)

A passenger (L) gets inside a decorated matatu as other passengers wait for it to fill at night in the streets of Nairobi, Kenya, 24 March 2018. The Matatu culture is very big in Kenya, the minibuses are decorated with colorful graffiti inside and outside and most of them are equipped with TV screens, high-speed internet, and power sockets. (Photo by Daniel Irungu/EPA/EFE)

Reality TV personality Kim Kardashian speaks alongside US President Donald Trump during a second chance hiring and criminal justice reform event in the East Room of the White House in Washington, DC, June 13, 2019. (Photo by Saul Loeb/AFP Photo)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

These Halloween horrors were all carved out of humble pumpkins by Ray Villafane and his team of professional sculptors who meticulously carved the terrifying characters using spoons and scalpels. Each one takes on average two hours to complete – with the horrifying results netting Villafane, plus colleagues Andy Bergholtz and Chris Vierra, numerous TV appearances each Halloween. This year the team has gone global travelling to Germany, Switzerland and Hong Kong to create their masterpieces. Photo: A horror face carved out of a pumpkin by Ray Villafane and team in Bellaire, Michigan. (Photo by Ray Villafane/Barcroft Media)