Tourists take shelter from the sudden heavy rain following the impact of Typhoon Danas on July 8, 2025 in Hangzhou, Zhejiang Province of China. East China's Zhejiang Province has elevated its typhoon emergency response to Level III at 10 a.m. on July 7 as Typhoon Danas, the fourth typhoon of this year, moves closer. (Photo by Lin Yunlong/Zhejiang Daily Press Group/VCG via Getty Images)

“A small British company with a dream of building a re-usable space plane has won an important endorsement from the European Space Agency (ESA) after completing key tests on its novel engine technology. Reaction Engines Ltd believes its Sabre engine, which would operate like a jet engine in the atmosphere and a rocket in space, could displace rockets for space access and transform air travel by bringing any destination on Earth to no more than four hours away”. – Chris Wickham via Reuters. Photo: Artist's impression of Skylon. (Photo by Reaction Engines Ltd)

Due to the influence of Sci-Fi movies, many of us have an obsession with giant robots. How cool would it be to ride a gigantic robotic dinosaur or elephant? It would be even cooler to control one! Regretfully, the modern technologies are not yet sophisticated enough to fulfill this dream. Pierre Orefice and François Delarozière, however, came very close. These two artists have made it their goal to turn Nantes, France, into a hot tourist destination spot for people who love robots. In their project of Machines de l'île in Nantes, they have created a whole park of robotic monstrosities, ranging from a giant 3 story high elephant to a 2 meter long centipede crawling on a rail track.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

An old locomotive train that was used for transporting coal is preserved as a monument at Ny-Alesund, in Svalbard, Norway, October 11, 2015. A Norwegian chain of islands just 1,200 km (750 miles) from the North Pole is trying to promote new technologies, tourism and scientific research in a shift from high-polluting coal mining that has been a backbone of the remote economy for decades. (Photo by Anna Filipova/Reuters)

An exhibitor takes a photo with a Huawei Mate 10 Pro during the 2018 CES in Las Vegas, Nevada, U.S. January 9, 2018. CES, the world's largest annual consumer technology trade show, runs through January 12 and features about 3,900 exhibitors showing off their latest products and services to more than 170,000 attendees. (Photo by Steve Marcus/Reuters)

An injured Iraqi Emergency Response Division (ERD) soldier hit by a mortar is held by another officer as they wait for medics to arrive at the Islamic State occupied Mosul Airport in west Mosul, part of the offensive to retake the city some two years after it fell to the hardline jihadist group, February 23, 2017. Iraqi forces encountered stiff resistance with improvised explosives, heavy mortar fire and snipers hampering their advance before they successfully took the airport. (Photo by Martyn Aim/Getty Images)

A local wears a plastic water bottle with a cutout to cover her face, as she walks on a footbridge in Hong Kong on January 31, 2020, as a preventative measure following a virus outbreak which began in the Chinese city of Wuhan. The World Health Organization, which initially downplayed the severity of a disease that has now killed 170 nationwide, warned all governments to be “on alert” as it weighed whether to declare a global health emergency. (Photo by Anthony Wallace/AFP Photo)